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Images never again witnessed/concept...

McGill University (Canada).

Images never again witnessed/concepts never again thought : = "(nostalgia)" and utopia in the aporia of aesthetic theory.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Images never again witnessed/concepts never again thought :/
Reminder of title:	"(nostalgia)" and utopia in the aporia of aesthetic theory.
Author:	Noble-Olson, Matthew D.
Description:	1 online resource (106 pages)
Notes:	Source: Masters Abstracts International, Volume: 48-02, page: 6360.
Subject:	Film studies. -
Online resource:	click for full text (PQDT)
ISBN:	9780494537091

Images never again witnessed/concepts never again thought : = "(nostalgia)" and utopia in the aporia of aesthetic theory.
Noble-Olson, Matthew D.

Images never again witnessed/concepts never again thought :"(nostalgia)" and utopia in the aporia of aesthetic theory. - 1 online resource (106 pages)

Source: Masters Abstracts International, Volume: 48-02, page: 6360.

Thesis (M.A.)--McGill University (Canada), 2008.

Includes bibliographical references

Using Hollis Frampton's 1971 film (nostalgia), this thesis works to negate the dominance of the concept over the artwork. This will be accomplished by thinking through (nostalgia), rather than about it. In other words, (nostalgia) will be the logical grounds upon which the concepts must prove themselves. The very form of the film will determine the manner in which the concepts develop. This thesis strives to understand (nostalgia) not so much by analyzing it from outside of its own immanent purpose, but through an imitative analysis. Using this method, texts by Theodor Adorno, Roland Barthes, and Ernst Bloch will be interpreted. Therefore, the concepts of these thinkers will act according to the objective demands of the film itself. This is an analysis that does not focus on the artwork as a topic, but as an epistemic model for analyzing aesthetic concepts.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780494537091Subjects--Topical Terms:

1179264
Film studies.
Index Terms--Genre/Form:

554714
Electronic books.

Images never again witnessed/concepts never again thought : = "(nostalgia)" and utopia in the aporia of aesthetic theory.
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504 $a Includes bibliographical references
520 $a Using Hollis Frampton's 1971 film (nostalgia), this thesis works to negate the dominance of the concept over the artwork. This will be accomplished by thinking through (nostalgia), rather than about it. In other words, (nostalgia) will be the logical grounds upon which the concepts must prove themselves. The very form of the film will determine the manner in which the concepts develop. This thesis strives to understand (nostalgia) not so much by analyzing it from outside of its own immanent purpose, but through an imitative analysis. Using this method, texts by Theodor Adorno, Roland Barthes, and Ernst Bloch will be interpreted. Therefore, the concepts of these thinkers will act according to the objective demands of the film itself. This is an analysis that does not focus on the artwork as a topic, but as an epistemic model for analyzing aesthetic concepts.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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650 4 $a Philosophy. $3 559771
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