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Abject Architecture : = Windows, Doo...
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University of Wyoming.
Abject Architecture : = Windows, Doors, and Power in "La casa de Bernarda Alba" (1936) by Federico Garcia Lorca.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Abject Architecture :/
Reminder of title:
Windows, Doors, and Power in "La casa de Bernarda Alba" (1936) by Federico Garcia Lorca.
Author:
Wilhelm, Kathleen.
Description:
1 online resource (38 pages)
Notes:
Source: Masters Abstracts International, Volume: 56-05.
Subject:
Modern literature. -
Online resource:
click for full text (PQDT)
ISBN:
9780355095579
Abject Architecture : = Windows, Doors, and Power in "La casa de Bernarda Alba" (1936) by Federico Garcia Lorca.
Wilhelm, Kathleen.
Abject Architecture :
Windows, Doors, and Power in "La casa de Bernarda Alba" (1936) by Federico Garcia Lorca. - 1 online resource (38 pages)
Source: Masters Abstracts International, Volume: 56-05.
Thesis (M.A.)--University of Wyoming, 2017.
Includes bibliographical references
In the play La casa de Bernarda Alba (1936) by Federico Garcia Lorca (1898--1936), I argue that space produces and is produced by social meaning. Windows and doors---which permeate and disrupt the margins between inside and outside---are representative of social relations of power within the play. These entryways and openings are manipulated and utilized by the female characters in an attempt to shape and challenge space. Bernarda, the mother, controls her house by locking doors and boarding up windows. Adela, Bernarda's youngest daughter, subverts her mother's control through a similar subversion of space. Furthermore, the maid---La Poncia---is able to traverse both space and doorways due to her social status. Ultimately, the space of the house is just a manifestation of societal restrictions and confinement, in which the characters are unable to enact change or control within broader society.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355095579Subjects--Topical Terms:
1148444
Modern literature.
Index Terms--Genre/Form:
554714
Electronic books.
Abject Architecture : = Windows, Doors, and Power in "La casa de Bernarda Alba" (1936) by Federico Garcia Lorca.
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Wilhelm, Kathleen.
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Abject Architecture :
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Windows, Doors, and Power in "La casa de Bernarda Alba" (1936) by Federico Garcia Lorca.
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2017
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1 online resource (38 pages)
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online resource
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Source: Masters Abstracts International, Volume: 56-05.
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Adviser: Conxita Domenech.
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Thesis (M.A.)--University of Wyoming, 2017.
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Includes bibliographical references
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In the play La casa de Bernarda Alba (1936) by Federico Garcia Lorca (1898--1936), I argue that space produces and is produced by social meaning. Windows and doors---which permeate and disrupt the margins between inside and outside---are representative of social relations of power within the play. These entryways and openings are manipulated and utilized by the female characters in an attempt to shape and challenge space. Bernarda, the mother, controls her house by locking doors and boarding up windows. Adela, Bernarda's youngest daughter, subverts her mother's control through a similar subversion of space. Furthermore, the maid---La Poncia---is able to traverse both space and doorways due to her social status. Ultimately, the space of the house is just a manifestation of societal restrictions and confinement, in which the characters are unable to enact change or control within broader society.
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Electronic reproduction.
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Ann Arbor, Mich. :
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ProQuest,
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2018
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Mode of access: World Wide Web
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Modern literature.
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1148444
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Romance literature.
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1184203
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Electronic books.
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554714
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ProQuest Information and Learning Co.
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University of Wyoming.
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Languages - Modern and Classical.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10269252
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click for full text (PQDT)
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