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Slippage between Garbage and Language : = Degeneracy, Abjectionism, and Poetic Perception.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Slippage between Garbage and Language :/
其他題名:	Degeneracy, Abjectionism, and Poetic Perception.
作者:	Zhou, Xingyue.
面頁冊數:	1 online resource (265 pages)
附註:	Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.
標題:	Comparative literature. -
電子資源:	click for full text (PQDT)
ISBN:	9780355429428

Slippage between Garbage and Language : = Degeneracy, Abjectionism, and Poetic Perception.
Zhou, Xingyue.

Slippage between Garbage and Language :Degeneracy, Abjectionism, and Poetic Perception. - 1 online resource (265 pages)

Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.

Thesis (Ph.D.)--University of California, Santa Barbara, 2017.

Includes bibliographical references

This dissertation proposes a poetics of slippage that interrelates the degeneration and the deviation of poetic language under a discourse of material and environmental decline. From close analysis of the visionary slippage on waste-sites in Cesario Verde, Fernando Pessoa, Wallace Stevens, and the international avant-garde poetics (featuring the Portuguese PO-EX), it discloses the poet's underlying preoccupation with the inherent gap between words and things, and traces the recurrent narrative of the degeneration of (poetic) language in the process of alienation from nature. It scrutinizes the mutual contamination between waste images and symptomatic (syn-: together; piptein: to fall) texts, and the ab-ject feeling at being cast out from an impossible linguistic essence. It also extrapolates how garbage causes the slippage in perception out of an epistemological impossibility, further infecting the poet's verbal instability, subconscious camouflage, and anxious struggle for "truth."

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355429428Subjects--Topical Terms:

835159
Comparative literature.
Index Terms--Genre/Form:

554714
Electronic books.

Slippage between Garbage and Language : = Degeneracy, Abjectionism, and Poetic Perception.
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500 $a Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.
500 $a Adviser: Yunte Huang.
502 $a Thesis (Ph.D.)--University of California, Santa Barbara, 2017.
504 $a Includes bibliographical references
520 $a This dissertation proposes a poetics of slippage that interrelates the degeneration and the deviation of poetic language under a discourse of material and environmental decline. From close analysis of the visionary slippage on waste-sites in Cesario Verde, Fernando Pessoa, Wallace Stevens, and the international avant-garde poetics (featuring the Portuguese PO-EX), it discloses the poet's underlying preoccupation with the inherent gap between words and things, and traces the recurrent narrative of the degeneration of (poetic) language in the process of alienation from nature. It scrutinizes the mutual contamination between waste images and symptomatic (syn-: together; piptein: to fall) texts, and the ab-ject feeling at being cast out from an impossible linguistic essence. It also extrapolates how garbage causes the slippage in perception out of an epistemological impossibility, further infecting the poet's verbal instability, subconscious camouflage, and anxious struggle for "truth."
520 $a The dissertation also intends to correlate poetic modernism and avant-garde through their common concern of poetic/linguistic "garbage," and to reconcile romantic and anti-romantic poetry through the Portuguese Abjeccionismo. It aspires to probe the relation between ecological crisis and deconstructive thinking through excavating several crucial poetic transformations of disgrace, filth, disease, and precarious nature in social turmoil and debris, such as the nineteenth-century sewer planning and epidemics in Lisbon, the American suburban dump and littoral desolation in the Great Depression. Garbage provides a revealing perspective to approach the essential yet less discussed poetic traits of each poet; as well as to expand the scope of ecopoetry in an age when nature only ex-ists as the ab-ject. Collaterally, it grapples with one of the most intricate questions in waste aesthetics: the subject's heightened, de-subjectifying, and transformative perception of literary and cultural debris, constantly in tension with the sociohistorical materialistic consciousness, at times falling back yet still in resistance to an uncanny ecology.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Comparative literature. $3 835159
650 4 $a Modern literature. $3 1148444
655 7 $a Electronic books. $2 local $3 554714
690 $a 0295
690 $a 0298
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Santa Barbara. $b Comparative Literature. $3 1187614
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10622071 $z click for full text (PQDT)