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HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA).

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA)./
Author:	FU, MARILYN WONG.
Description:	1 online resource (683 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 44-04, Section: A, page: 8950.
Subject:	Fine arts. -
Online resource:	click for full text (PQDT)

HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA).
FU, MARILYN WONG.

HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA). - 1 online resource (683 pages)

Source: Dissertation Abstracts International, Volume: 44-04, Section: A, page: 8950.

Thesis (Ph.D.)--Princeton University, 1983.

Includes bibliographical references

The subject of this dissertation is the art of the calligrapher-collector-connoisseur, Hsien-yu Shu (1257?-1302). His major handscroll, "Admonitions to the Censorial Officials," dated 1299, is taken as the focal point to study the role which ancient works of art played in the lives of literati in medieval China.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

Subjects--Topical Terms:

1112523
Fine arts.
Index Terms--Genre/Form:

554714
Electronic books.

HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA).
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245 1 0 $a HSIEN-YU SHU'S CALLIGRAPHY AND HIS "ADMONITIONS" SCROLL OF 1299. (VOLUMES I-III) (CHINA).
264 0 $c 1983
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500 $a Source: Dissertation Abstracts International, Volume: 44-04, Section: A, page: 8950.
502 $a Thesis (Ph.D.)--Princeton University, 1983.
504 $a Includes bibliographical references
520 $a The subject of this dissertation is the art of the calligrapher-collector-connoisseur, Hsien-yu Shu (1257?-1302). His major handscroll, "Admonitions to the Censorial Officials," dated 1299, is taken as the focal point to study the role which ancient works of art played in the lives of literati in medieval China.
520 $a Hsien-yu Shu was one of three great calligraphers of the Yuan (1260-1368), the others being Chao Meng-fu (1254-1322) and Teng Wen-yuan (1250-1358). Hsien-yu Shu was active in a literary circle centered around Hangchou, the former Southern Sung capital. Unlike Chao, however, Hsien-yu Shu was born in north China in former Chin (1115-1234) territory, before the unification of north and south in 1276-78 by the Mongols. His official appointments brought him south, and, around 1284, he met Chao Meng-fu, in what was to blossom into a significant artistic friendship.
520 $a Chapter I presents the historical and artistic background and sources, poems and colophons of the literary circle.
520 $a Chapter II reconstructs this circle and its activities as an artistic biography, showing how art works, many extant, attracted intimate gatherings of northerners, southerners and Central Asians.
520 $a Chapter III presents a history of the "Admonitions" scroll, establishes its authenticity and that of the fourteen Yuan colophons.
520 $a Chapter IV analyzes the stylistic sources of the "Admonitions" scroll.
520 $a Chapter V discusses Hsien-yu Shu as a critic, as one third of his fifty extant examples are colophons to ancient works, particularly from the Tsin and T'ang. The theoretical basis for such analysis is considered.
520 $a The following conclusions may be drawn about Hsien-yu Shu's art and the "Admonitions" scroll: (1) its rarity as one of two works in his monumental "regular" script; (2) its reflection of his northern heritage as a transcription of an essay by the Chin scholar, Chao Ping-wen (1159-1232); (3) its perpetuation of the tradition of large writing of the T'ang through Chin; (4) its embodiment for Yuan contemporaries of antique ideals, specifically the Lan-t'ing-hsu, I-ho-ming, and Li-tui-chi; and (5) its summation of Hsien-yu Shu's artistic goals. His famous studio, "Learning Acquired After a Painful Feeling of Ignorance," is appropriately named for his creative integration of northern and southern elements, embracing the art of the past as a source of artistic growth and setting the stage for future Yuan developments.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Fine arts. $3 1112523
655 7 $a Electronic books. $2 local $3 554714
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710 2 $a Princeton University. $2 fast $3 1008168
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8318718 $z click for full text (PQDT)