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AUTOBIOGRAPHIES OF CHINESE WRITERS I...
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ProQuest Information and Learning Co.
AUTOBIOGRAPHIES OF CHINESE WRITERS IN THE EARLY TWENTIETH CENTURY.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
AUTOBIOGRAPHIES OF CHINESE WRITERS IN THE EARLY TWENTIETH CENTURY./
作者:
LARSON, WENDY ANN.
面頁冊數:
1 online resource (233 pages)
附註:
Source: Dissertation Abstracts International, Volume: 46-04, Section: A, page: 9860.
標題:
Asian literature. -
電子資源:
click for full text (PQDT)
AUTOBIOGRAPHIES OF CHINESE WRITERS IN THE EARLY TWENTIETH CENTURY.
LARSON, WENDY ANN.
AUTOBIOGRAPHIES OF CHINESE WRITERS IN THE EARLY TWENTIETH CENTURY.
- 1 online resource (233 pages)
Source: Dissertation Abstracts International, Volume: 46-04, Section: A, page: 9860.
Thesis (Ph.D.)--University of California, Berkeley, 1984.
Includes bibliographical references
Autobiographies of Chinese Writers in the Early Twentieth Century attempts to show a conflict of authorization behind the writing of autobiographies by Chinese writers. Chapters One and Two trace Chinese autobiographies from the time of Sima Qian up to the late Qing Dynasty. The remaining chapters focus on writers of the early twentieth century, including Guo Moruo, Lu Xun, Shen Congwen, and Hu Shi. The dissertation postulates two types of textual authorization, one "impressionistic," which is atemporal and gains its validity from reference to the hermetic codes of writing, and the other "circumstantial," which is characterized by reference to the phenomenal world and its power structures. Whereas the impressionistic authorization was rejected by modern writers, who tried to disassociate themselves from the traditional definition and meaning of the term "writer," the trappings of the impressionistic autobiography are insistent within their self-transmissions. Therefore, the attempts of the modern writers to validate themselves, as writers, and their texts through their association with the material world and its correlaries are fraught with images of betrayal and degradation.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
Subjects--Topical Terms:
1183555
Asian literature.
Index Terms--Genre/Form:
554714
Electronic books.
AUTOBIOGRAPHIES OF CHINESE WRITERS IN THE EARLY TWENTIETH CENTURY.
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AUTOBIOGRAPHIES OF CHINESE WRITERS IN THE EARLY TWENTIETH CENTURY.
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Source: Dissertation Abstracts International, Volume: 46-04, Section: A, page: 9860.
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Includes bibliographical references
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Autobiographies of Chinese Writers in the Early Twentieth Century attempts to show a conflict of authorization behind the writing of autobiographies by Chinese writers. Chapters One and Two trace Chinese autobiographies from the time of Sima Qian up to the late Qing Dynasty. The remaining chapters focus on writers of the early twentieth century, including Guo Moruo, Lu Xun, Shen Congwen, and Hu Shi. The dissertation postulates two types of textual authorization, one "impressionistic," which is atemporal and gains its validity from reference to the hermetic codes of writing, and the other "circumstantial," which is characterized by reference to the phenomenal world and its power structures. Whereas the impressionistic authorization was rejected by modern writers, who tried to disassociate themselves from the traditional definition and meaning of the term "writer," the trappings of the impressionistic autobiography are insistent within their self-transmissions. Therefore, the attempts of the modern writers to validate themselves, as writers, and their texts through their association with the material world and its correlaries are fraught with images of betrayal and degradation.
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Ann Arbor, Mich. :
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Mode of access: World Wide Web
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click for full text (PQDT)
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