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Yesterday, Today, and Tomorrow : = A Study of Aurelio Tolentino's Articulation of Nationalism and Identity through Theatre in the Philippines during the American Colonial Period.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Yesterday, Today, and Tomorrow :/
其他題名:	A Study of Aurelio Tolentino's Articulation of Nationalism and Identity through Theatre in the Philippines during the American Colonial Period.
作者:	Villaraza, Lily Ann Bolo.
面頁冊數:	1 online resource (435 pages)
附註:	Source: Dissertation Abstracts International, Volume: 79-07(E), Section: A.
標題:	Southeast Asian studies. -
電子資源:	click for full text (PQDT)
ISBN:	9780355628746

Yesterday, Today, and Tomorrow : = A Study of Aurelio Tolentino's Articulation of Nationalism and Identity through Theatre in the Philippines during the American Colonial Period.
Villaraza, Lily Ann Bolo.

Yesterday, Today, and Tomorrow :A Study of Aurelio Tolentino's Articulation of Nationalism and Identity through Theatre in the Philippines during the American Colonial Period. - 1 online resource (435 pages)

Source: Dissertation Abstracts International, Volume: 79-07(E), Section: A.

Thesis (Ph.D.)--Northern Illinois University, 2017.

Includes bibliographical references

This dissertation centers the importance of cultural production to the process of creating a coherent national identity and a unified political state in the Philippines. More specifically, I will examine role of theatre in relation to the general development of the nation and the state through Aurelio Tolentino's plays Luhang Tagalog and Kahapon, Ngayon, at Bukas. The Philippines and Filipino people pose a unique case study in the formation of both a specific and coherent national identity and an independent political state space because of geography, varied cultural influences, linguistic diversity, and colonial past. Because of these factors, it is a wonder that a coherent Philippine state exists, much less the generally accepted notion of a Filipino national identity. I argue that cultural production, particularly theatre, actively championed the broader acceptance of a singular Filipino national identity and individual belonging to a collective state at one of the most critical moment in Philippine history; the exit of Spanish colonial rule, the entrance of American imperial rule, and active assertion of political independence of the Philippine Islands by and for the Filipino people. The knowledge formation and critical dialogue occurring through theatre nurtured the notion of a Filipino national identity and buoyed the possibility of a Philippine state across the diverse linguistic and geographic terrain of the archipelago in opposition to the emerging American empire.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355628746Subjects--Topical Terms:

1183314
Southeast Asian studies.
Index Terms--Genre/Form:

554714
Electronic books.

Yesterday, Today, and Tomorrow : = A Study of Aurelio Tolentino's Articulation of Nationalism and Identity through Theatre in the Philippines during the American Colonial Period.
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520 $a This dissertation centers the importance of cultural production to the process of creating a coherent national identity and a unified political state in the Philippines. More specifically, I will examine role of theatre in relation to the general development of the nation and the state through Aurelio Tolentino's plays Luhang Tagalog and Kahapon, Ngayon, at Bukas. The Philippines and Filipino people pose a unique case study in the formation of both a specific and coherent national identity and an independent political state space because of geography, varied cultural influences, linguistic diversity, and colonial past. Because of these factors, it is a wonder that a coherent Philippine state exists, much less the generally accepted notion of a Filipino national identity. I argue that cultural production, particularly theatre, actively championed the broader acceptance of a singular Filipino national identity and individual belonging to a collective state at one of the most critical moment in Philippine history; the exit of Spanish colonial rule, the entrance of American imperial rule, and active assertion of political independence of the Philippine Islands by and for the Filipino people. The knowledge formation and critical dialogue occurring through theatre nurtured the notion of a Filipino national identity and buoyed the possibility of a Philippine state across the diverse linguistic and geographic terrain of the archipelago in opposition to the emerging American empire.
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