國立虎尾科技大學 |

Creative inequality : = Development, gentrification and contestation in the new ward 8.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Creative inequality :/
其他題名:	Development, gentrification and contestation in the new ward 8.
作者:	Gualtieri, Anthony Angelo.
面頁冊數:	1 online resource (371 pages)
附註:	Source: Dissertation Abstracts International, Volume: 78-02(E), Section: A.
標題:	Cultural anthropology. -
電子資源:	click for full text (PQDT)
ISBN:	9781369141795

Creative inequality : = Development, gentrification and contestation in the new ward 8.
Gualtieri, Anthony Angelo.

Creative inequality :Development, gentrification and contestation in the new ward 8. - 1 online resource (371 pages)

Source: Dissertation Abstracts International, Volume: 78-02(E), Section: A.

Thesis (Ph.D.)--American University, 2016.

Includes bibliographical references

Failing public institutions, youth violence, meager retail and service options, and deteriorating housing and infrastructure are qualities of place familiar to long-time residents of greater Anacostia. However, the practices and beliefs of residents are being confronted by the transformation and inscription of new meanings on their physical and social spaces. This development is heightened by government and private efforts to attract members of the fallacious creative class. Accordingly my research explores "What is the impact of the application of creative class theory and creative economic development on the residents of the Anacostia Historic District and the neighboring community of Barry Farm?" Specifically, I examine the communal cooperation and conflict related to public housing, affordable housing, creative economic development, and their connections to gentrification and displacement.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369141795Subjects--Topical Terms:

1179959
Cultural anthropology.
Index Terms--Genre/Form:

554714
Electronic books.

Creative inequality : = Development, gentrification and contestation in the new ward 8.
LDR:03650ntm a2200361K 4500 001 915777
005 20180823122924.5
006 m o u
007 cr mn||||a|a||
008 190606s2016 xx obm 000 0 eng d
020 $a 9781369141795
035 $a (MiAaPQ)AAI10159188
035 $a (MiAaPQ)american:11051
035 $a AAI10159188
040 $a MiAaPQ $b eng $c MiAaPQ
100 1 $a Gualtieri, Anthony Angelo. $3 1189272
245 1 0 $a Creative inequality : $b Development, gentrification and contestation in the new ward 8.
264 0 $c 2016
300 $a 1 online resource (371 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 78-02(E), Section: A.
500 $a Adviser: Brett Williams.
502 $a Thesis (Ph.D.)--American University, 2016.
504 $a Includes bibliographical references
520 $a Failing public institutions, youth violence, meager retail and service options, and deteriorating housing and infrastructure are qualities of place familiar to long-time residents of greater Anacostia. However, the practices and beliefs of residents are being confronted by the transformation and inscription of new meanings on their physical and social spaces. This development is heightened by government and private efforts to attract members of the fallacious creative class. Accordingly my research explores "What is the impact of the application of creative class theory and creative economic development on the residents of the Anacostia Historic District and the neighboring community of Barry Farm?" Specifically, I examine the communal cooperation and conflict related to public housing, affordable housing, creative economic development, and their connections to gentrification and displacement.
520 $a Policymakers, elites, and entrepreneurs support and operationalize the terms creative class and creative economy through creative economic development strategies and practices like creative placemaking. These policies and practices benefit from the tacit and explicit support of various segments of local communities. This support appears as traditional class conflict and furthers misrecognition. Consequently, I argue that the creative class is a neoliberal intellectual technology.
520 $a This dissertation situates the activities and organizing efforts of residents in a sociohistorical ethnographic narrative of the redevelopment of the Anacostia Historic District, the Barry Farm public housing project and St. Elizabeths Hospital. It explores the local gentrification experience, arts-based development and broader creative economic development, and examines deconstructs creative class theory. Further it analyzes local responses to creative economic development. It also discusses the responses of individuals categorized as creative class to the existing socioeconomic conditions of their community and the consequences of their efforts in human and economic terms. Solidarity among artists and other residents as well as power relations, implicit and explicit biases, and disparities among the occupations grouped into the creative class and between these people and other residents is examined. The outcomes of these negotiations make clear that collective misrecognition is inherent to creative economic development.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Cultural anthropology. $3 1179959
650 4 $a Economic theory. $3 809881
650 4 $a Public policy. $3 1002398
655 7 $a Electronic books. $2 local $3 554714
690 $a 0326
690 $a 0511
690 $a 0630
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a American University. $b Anthropology. $3 1183780
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10159188 $z click for full text (PQDT)