國立虎尾科技大學 |

Muqi : = A study of the stylistic transmission of Chan painting from China to Japan.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Muqi :/
其他題名:	A study of the stylistic transmission of Chan painting from China to Japan.
作者:	Zhan, Bo.
面頁冊數:	1 online resource (81 pages)
附註:	Source: Masters Abstracts International, Volume: 55-02.
Contained By:	Masters Abstracts International55-02(E).
標題:	Asian studies. -
電子資源:	click for full text (PQDT)
ISBN:	9781339206493

Muqi : = A study of the stylistic transmission of Chan painting from China to Japan.
Zhan, Bo.

Muqi :A study of the stylistic transmission of Chan painting from China to Japan. - 1 online resource (81 pages)

Source: Masters Abstracts International, Volume: 55-02.

Thesis (M.A.)--Purdue University, 2015.

Includes bibliographical references

The purpose of this thesis is to examine the stylistic transformations of Chinese Chan painting to Japanese Zen painting through the artwork of Muqi, who is the most important Chinese painter in Japanese ink-painting history. In the first chapter, by comparing social backgrounds in China and Japan, I concluded that Muqi's popularity in Japan was a choice made by the ruling class, and ink painting was promoted to legitimize those new rulers' reign, while in China, conversely, the change of reign impeded the development of Chan painting but allowed literati painting to flourish. In the second chapter, I propose that Muqi's style was influenced by literati painters. I also explain the reasons behind the successful Japanese adoption of Muqi's painting; namely, by associating it with Japanese anesthetics. In the third chapter, by comparing Muqi's paintings with Japanese paintings composed under their influence, I discovered that although those Japanese painters were not able to resemble the spiritual likeness of Muqi's painting, they succeeded in simplifying Muqi's style and freed it from the restriction of traditional Chinese paintings.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781339206493Subjects--Topical Terms:

1179577
Asian studies.
Index Terms--Genre/Form:

554714
Electronic books.

Muqi : = A study of the stylistic transmission of Chan painting from China to Japan.
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520 $a The purpose of this thesis is to examine the stylistic transformations of Chinese Chan painting to Japanese Zen painting through the artwork of Muqi, who is the most important Chinese painter in Japanese ink-painting history. In the first chapter, by comparing social backgrounds in China and Japan, I concluded that Muqi's popularity in Japan was a choice made by the ruling class, and ink painting was promoted to legitimize those new rulers' reign, while in China, conversely, the change of reign impeded the development of Chan painting but allowed literati painting to flourish. In the second chapter, I propose that Muqi's style was influenced by literati painters. I also explain the reasons behind the successful Japanese adoption of Muqi's painting; namely, by associating it with Japanese anesthetics. In the third chapter, by comparing Muqi's paintings with Japanese paintings composed under their influence, I discovered that although those Japanese painters were not able to resemble the spiritual likeness of Muqi's painting, they succeeded in simplifying Muqi's style and freed it from the restriction of traditional Chinese paintings.
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538 $a Mode of access: World Wide Web
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