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With Unveiled Beauty : = Christologi...
~
Trinity International University.
With Unveiled Beauty : = Christological Contours of a Theological Aesthetic Approach to Theology.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
With Unveiled Beauty :/
其他題名:
Christological Contours of a Theological Aesthetic Approach to Theology.
作者:
King, Jonathan.
面頁冊數:
1 online resource (443 pages)
附註:
Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
Contained By:
Dissertation Abstracts International79-03A(E).
標題:
Theology. -
電子資源:
click for full text (PQDT)
ISBN:
9780355492798
With Unveiled Beauty : = Christological Contours of a Theological Aesthetic Approach to Theology.
King, Jonathan.
With Unveiled Beauty :
Christological Contours of a Theological Aesthetic Approach to Theology. - 1 online resource (443 pages)
Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
Thesis (Ph.D.)--Trinity International University, 2017.
Includes bibliographical references
A theological view of beauty plays no part, with rare exception, in any of the traditional loci of theology and doctrinal courses that are offered in Christian higher education within a broadly evangelical perspective. The reasons behind the aforementioned state of affairs in contemporary scholarship are manifold, but a prominent one clearly would be the lack of consensus that exists on the validity of beauty as a proper locus of theology, or if it is affirmed, to which locus it belongs. Another reason why beauty and aesthetics are treated in relative isolation from biblical and systematic theology is that theological scholarship on aesthetics is done overwhelmingly in the way of religious aesthetics or theology of the arts. The constructive argumentation of this dissertation will help serve as a corrective to this neglect. My thesis is that the Son's fittingness as incarnate Redeemer, and in the divine economy in general, serves to display the Son's glory in every stage of the theodrama. The properly dogmatic (i.e., Trinitarian) ground of the Son's fittingness is God's beauty, which, in conjunction with divine simplicity, entails that everything God does is, by definition, beautiful (i.e., God-glorifying). I trace this theological aesthetic across the principal phases of the theodrama (creation, redemption, and consummation) through the lens of Christology and the related theme of the imago Dei.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355492798Subjects--Topical Terms:
559813
Theology.
Index Terms--Genre/Form:
554714
Electronic books.
With Unveiled Beauty : = Christological Contours of a Theological Aesthetic Approach to Theology.
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Christological Contours of a Theological Aesthetic Approach to Theology.
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Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
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A theological view of beauty plays no part, with rare exception, in any of the traditional loci of theology and doctrinal courses that are offered in Christian higher education within a broadly evangelical perspective. The reasons behind the aforementioned state of affairs in contemporary scholarship are manifold, but a prominent one clearly would be the lack of consensus that exists on the validity of beauty as a proper locus of theology, or if it is affirmed, to which locus it belongs. Another reason why beauty and aesthetics are treated in relative isolation from biblical and systematic theology is that theological scholarship on aesthetics is done overwhelmingly in the way of religious aesthetics or theology of the arts. The constructive argumentation of this dissertation will help serve as a corrective to this neglect. My thesis is that the Son's fittingness as incarnate Redeemer, and in the divine economy in general, serves to display the Son's glory in every stage of the theodrama. The properly dogmatic (i.e., Trinitarian) ground of the Son's fittingness is God's beauty, which, in conjunction with divine simplicity, entails that everything God does is, by definition, beautiful (i.e., God-glorifying). I trace this theological aesthetic across the principal phases of the theodrama (creation, redemption, and consummation) through the lens of Christology and the related theme of the imago Dei.
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