國立虎尾科技大學 |

Occupying Televisual Narratives : = Metaphors and Models for Imagining Beyond the Cultural Machine.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Occupying Televisual Narratives :/
其他題名:	Metaphors and Models for Imagining Beyond the Cultural Machine.
作者:	Waller, Katherine Lonsdale.
面頁冊數:	1 online resource (341 pages)
附註:	Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
Contained By:	Dissertation Abstracts International79-10A(E).
標題:	American studies. -
電子資源:	click for full text (PQDT)
ISBN:	9780438027022

Occupying Televisual Narratives : = Metaphors and Models for Imagining Beyond the Cultural Machine.
Waller, Katherine Lonsdale.

Occupying Televisual Narratives :Metaphors and Models for Imagining Beyond the Cultural Machine. - 1 online resource (341 pages)

Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.

Thesis (Ph.D.)--Cornell University, 2018.

Includes bibliographical references

Televisual narratives frequently strive to enclose viewers within a culture industry that renders them passive and preoccupied. This dissertation considers the ways in which two modes of televisual meaning-making, namely crime dramas and reality television, can work against that closure by providing models of feminine possibility and occupation. Viewers can pursue the openness of imaginative occupying by reading with the grain of the narratives, which teach viewers first how to understand the stories on the screen and then to understand the possibilities for navigating and ultimately challenging the power structures that marginalize and disadvantage certain bodies. Detailed readings of Murder, She Wrote (CBS, 1984-1996); Person of Interest (CBS, 2011-2016); The Real Housewives of Beverly Hills (Bravo, 2010- ); Charlie's Angels (ABC, 1976-1981); The Real World (MTV, 1992- ); Law & Order: Special Victims Unit (NBC, 1999- ); Perry Mason (CBS, 1957-1966); and How to Get Away With Murder (ABC, 2014- ) track the connections that these narratives make across a history of television and with other technological and social developments. Stereotypically feminine modes of understanding and community-building like multitasking, talking or visiting, reflecting, and empathizing or imagining depth become the operative actions by which viewers might imagine the possibilities available to them and ultimately look beyond the constraints of a cultural machine that traditionally disempowers them. By employing the sorts of simultaneous and imaginative thinking that helps the characters we see on the screen become successful, we can also imagine the spaces of the television industry and of a cultural machine as places that we can connect to and through. The modes of making meaning that stories and characters model for the viewer become a methodology for creating, understanding, and representing significant depth in television programming.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438027022Subjects--Topical Terms:

1179345
American studies.
Index Terms--Genre/Form:

554714
Electronic books.

Occupying Televisual Narratives : = Metaphors and Models for Imagining Beyond the Cultural Machine.
LDR:03225ntm a2200349Ki 4500 001 917151
005 20181005115849.5
006 m o u
007 cr mn||||a|a||
008 190606s2018 xx obm 000 0 eng d
020 $a 9780438027022
035 $a (MiAaPQ)AAI10816520
035 $a (MiAaPQ)cornellgrad:10839
035 $a AAI10816520
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Waller, Katherine Lonsdale. $3 1191101
245 1 0 $a Occupying Televisual Narratives : $b Metaphors and Models for Imagining Beyond the Cultural Machine.
264 0 $c 2018
300 $a 1 online resource (341 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
500 $a Adviser: Amy Villarejo.
502 $a Thesis (Ph.D.)--Cornell University, 2018.
504 $a Includes bibliographical references
520 $a Televisual narratives frequently strive to enclose viewers within a culture industry that renders them passive and preoccupied. This dissertation considers the ways in which two modes of televisual meaning-making, namely crime dramas and reality television, can work against that closure by providing models of feminine possibility and occupation. Viewers can pursue the openness of imaginative occupying by reading with the grain of the narratives, which teach viewers first how to understand the stories on the screen and then to understand the possibilities for navigating and ultimately challenging the power structures that marginalize and disadvantage certain bodies. Detailed readings of Murder, She Wrote (CBS, 1984-1996); Person of Interest (CBS, 2011-2016); The Real Housewives of Beverly Hills (Bravo, 2010- ); Charlie's Angels (ABC, 1976-1981); The Real World (MTV, 1992- ); Law & Order: Special Victims Unit (NBC, 1999- ); Perry Mason (CBS, 1957-1966); and How to Get Away With Murder (ABC, 2014- ) track the connections that these narratives make across a history of television and with other technological and social developments. Stereotypically feminine modes of understanding and community-building like multitasking, talking or visiting, reflecting, and empathizing or imagining depth become the operative actions by which viewers might imagine the possibilities available to them and ultimately look beyond the constraints of a cultural machine that traditionally disempowers them. By employing the sorts of simultaneous and imaginative thinking that helps the characters we see on the screen become successful, we can also imagine the spaces of the television industry and of a cultural machine as places that we can connect to and through. The modes of making meaning that stories and characters model for the viewer become a methodology for creating, understanding, and representing significant depth in television programming.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a American studies. $3 1179345
650 4 $a Mass communication. $3 1179310
650 4 $a Women's studies. $3 572871
655 7 $a Electronic books. $2 local $3 554714
690 $a 0323
690 $a 0708
690 $a 0453
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Cornell University. $b English Language and Literature. $3 1191102
773 0 $t Dissertation Abstracts International $g 79-10A(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10816520 $z click for full text (PQDT)