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Two-Dimensional City.
~
Xu, Ting.
Two-Dimensional City.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Two-Dimensional City./
作者:
Xu, Ting.
面頁冊數:
1 online resource (33 pages)
附註:
Source: Masters Abstracts International, Volume: 57-02.
Contained By:
Masters Abstracts International57-02(E).
標題:
Architecture. -
電子資源:
click for full text (PQDT)
ISBN:
9780355443196
Two-Dimensional City.
Xu, Ting.
Two-Dimensional City.
- 1 online resource (33 pages)
Source: Masters Abstracts International, Volume: 57-02.
Thesis (M.Arch.)--University of Cincinnati, 2017.
Includes bibliographical references
"One-dimensional" was a concept first proposed by Herbert Marcuse (1898--1979) in his book, One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. In his book, he criticizes the controlling nature of consumerism. People have become used to being "one-dimensional man" because their needs are manipulated by vested interests.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355443196Subjects--Topical Terms:
555123
Architecture.
Index Terms--Genre/Form:
554714
Electronic books.
Two-Dimensional City.
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Source: Masters Abstracts International, Volume: 57-02.
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"One-dimensional" was a concept first proposed by Herbert Marcuse (1898--1979) in his book, One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. In his book, he criticizes the controlling nature of consumerism. People have become used to being "one-dimensional man" because their needs are manipulated by vested interests.
520
$a
The construction of many modern cities, like Beijing, seems to have proved his argument. With the operation of the "false friends of our cities" which are pointed out by Victor Gruen's (1903--1980) book, The Heart of Our Cities: The Urban Crisis, Diagnosis and Cure, cities tend to pursue overwhelming efficiency and make people manipulated. Diversity and vitality are suppressed in cities. A variety of commercial buildings serve to create an illusion of vitality.
520
$a
However, in the Hutong areas, i.e. the preserved traditional residential areas in Beijing, people do not passively react to the urban plans for the areas, so the "inner dimension" is still seen. In the recent history of Hutongs, the "inner dimension" worked to transform one-dimensional areas into two-dimensional ones. People's subjective consciousness is evoked due to the three of its major spatial features: the continuity of public space, the strong connections between diverse programs, and the ambiguity of the subordination of public space.
520
$a
The project aims to learn from the Hutongs and translate its spatial features into design principles when developing the urban areas outside the Hutong areas. The area concerned in this project includes the National Center for the Performing Arts (NCPA) and the surrounding Hutong area. The clear division between the two derives from the top-down planning process, suppressing the potential vitality of the area.
520
$a
Based on the specific conditions of the site, the project takes into consideration more programs related to the Hutongs and the NCPA. By removing some elements and adding others, as well as some other methods, a contiguous public space is created between the two. Meanwhile, the subordination of public space is functionally and spatially blurred. As a result, the project not only establishes a strong connection between the Hutongs and the NCPA, but also makes people's subjective consciousness play an important role in generating more vitality in the project and its surrounding areas.
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Ann Arbor, Mich. :
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2018
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Mode of access: World Wide Web
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click for full text (PQDT)
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