語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Manufactured Apparitions : = Materia...
~
University of Washington.
Manufactured Apparitions : = Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Manufactured Apparitions :/
其他題名:
Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
作者:
Liu, Mengyao.
面頁冊數:
1 online resource (85 pages)
附註:
Source: Masters Abstracts International, Volume: 58-01.
Contained By:
Masters Abstracts International58-01(E).
標題:
Asian studies. -
電子資源:
click for full text (PQDT)
ISBN:
9780438175235
Manufactured Apparitions : = Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
Liu, Mengyao.
Manufactured Apparitions :
Materiality and Postsocialist Memory in Contemporary Chinese Visual Art. - 1 online resource (85 pages)
Source: Masters Abstracts International, Volume: 58-01.
Thesis (Master's)--University of Washington, 2018.
Includes bibliographical references
Through representation of material objects, artistic integration of commodities, and engagement with materiality through medium, the six contemporary Chinese visual artists analyzed in this project convey an unsettled liminality between socialist and global capitalist value regimes. Unlike their predecessors who operated within the field of socialist vision, the six artists examined in this project are no longer officially tethered to a national audience or Maoist iconography. Nonetheless, the historical and political valences once associated with Chinese socialist visual art remain a spectral force in the perceptual layers that comprise contemporary Chinese society. Functioning as sites of postsocialist memory, the installations discussed reframe societal issues of labor, class, geography, and gender with an attention to historicity and affective resonance. They explore how China's economic and political transition over the past thirty years has displaced revolutionary imaginaries, while also placing the radically egalitarian politics of the past as future possibility once again. In their experiments in materiality, the artists at the center of this study make visible the contradictions and obfuscations at play in the relays between contemporary Chinese visual culture and the global capitalist art market.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780438175235Subjects--Topical Terms:
1179577
Asian studies.
Index Terms--Genre/Form:
554714
Electronic books.
Manufactured Apparitions : = Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
LDR
:02584ntm a2200337Ki 4500
001
917786
005
20181022132219.5
006
m o u
007
cr mn||||a|a||
008
190606s2018 xx obm 000 0 eng d
020
$a
9780438175235
035
$a
(MiAaPQ)AAI10826972
035
$a
(MiAaPQ)washington:18622
035
$a
AAI10826972
040
$a
MiAaPQ
$b
eng
$c
MiAaPQ
$d
NTU
100
1
$a
Liu, Mengyao.
$3
1191952
245
1 0
$a
Manufactured Apparitions :
$b
Materiality and Postsocialist Memory in Contemporary Chinese Visual Art.
264
0
$c
2018
300
$a
1 online resource (85 pages)
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
500
$a
Source: Masters Abstracts International, Volume: 58-01.
500
$a
Advisers: Madeleine Y. Dong; Sasha S. Welland.
502
$a
Thesis (Master's)--University of Washington, 2018.
504
$a
Includes bibliographical references
520
$a
Through representation of material objects, artistic integration of commodities, and engagement with materiality through medium, the six contemporary Chinese visual artists analyzed in this project convey an unsettled liminality between socialist and global capitalist value regimes. Unlike their predecessors who operated within the field of socialist vision, the six artists examined in this project are no longer officially tethered to a national audience or Maoist iconography. Nonetheless, the historical and political valences once associated with Chinese socialist visual art remain a spectral force in the perceptual layers that comprise contemporary Chinese society. Functioning as sites of postsocialist memory, the installations discussed reframe societal issues of labor, class, geography, and gender with an attention to historicity and affective resonance. They explore how China's economic and political transition over the past thirty years has displaced revolutionary imaginaries, while also placing the radically egalitarian politics of the past as future possibility once again. In their experiments in materiality, the artists at the center of this study make visible the contradictions and obfuscations at play in the relays between contemporary Chinese visual culture and the global capitalist art market.
533
$a
Electronic reproduction.
$b
Ann Arbor, Mich. :
$c
ProQuest,
$d
2018
538
$a
Mode of access: World Wide Web
650
4
$a
Asian studies.
$3
1179577
650
4
$a
Art criticism.
$3
576960
655
7
$a
Electronic books.
$2
local
$3
554714
690
$a
0342
690
$a
0365
710
2
$a
ProQuest Information and Learning Co.
$3
1178819
710
2
$a
University of Washington.
$b
International Studies - Jackson School.
$3
1183684
773
0
$t
Masters Abstracts International
$g
58-01(E).
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10826972
$z
click for full text (PQDT)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入