國立虎尾科技大學 |

No Country for Old Media.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	No Country for Old Media./
作者:	Hubbles, Chris.
面頁冊數:	1 online resource (187 pages)
附註:	Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.
Contained By:	Dissertation Abstracts International79-12A(E).
標題:	Intellectual property. -
電子資源:	click for full text (PQDT)
ISBN:	9780438175884

No Country for Old Media.
Hubbles, Chris.

No Country for Old Media. - 1 online resource (187 pages)

Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.

Thesis (Ph.D.)--University of Washington, 2018.

Includes bibliographical references

The philosophical defense of intellectual property theory has become a significant, and growing, area of inquiry over the past several decades. Copyright, the legal mechanism protecting creative works, is one major class of intellectual property rights. Modern intellectual property thought draws primarily from seventeenth- and eighteenth-century paradigms, which relied upon reasonable but implicit assumptions about durability of material substrates. Subsequent changes in how intellectual works are fixed physically, as well as practical experience with copyright implementation, challenge these assumptions about durability, and indicate the need for more circumscribed grants of intellectual rights. Yet copyright duration and scope increased substantially in the nineteenth and twentieth centuries, and the changes in media durability have gone largely unconsidered by recent theorists. As a result, modern adaptations of intellectual property theory extrapolated from Enlightenment-era models fail to afford sufficient value to preservation of creative works.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438175884Subjects--Topical Terms:

559280
Intellectual property.
Index Terms--Genre/Form:

554714
Electronic books.

No Country for Old Media.
LDR:03071ntm a2200361Ki 4500 001 917902
005 20181022132250.5
006 m o u
007 cr mn||||a|a||
008 190606s2018 xx obm 000 0 eng d
020 $a 9780438175884
035 $a (MiAaPQ)AAI10827744
035 $a (MiAaPQ)washington:18696
035 $a AAI10827744
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Hubbles, Chris. $3 1192095
245 1 0 $a No Country for Old Media.
264 0 $c 2018
300 $a 1 online resource (187 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.
500 $a Adviser: Jin H. Lee.
502 $a Thesis (Ph.D.)--University of Washington, 2018.
504 $a Includes bibliographical references
520 $a The philosophical defense of intellectual property theory has become a significant, and growing, area of inquiry over the past several decades. Copyright, the legal mechanism protecting creative works, is one major class of intellectual property rights. Modern intellectual property thought draws primarily from seventeenth- and eighteenth-century paradigms, which relied upon reasonable but implicit assumptions about durability of material substrates. Subsequent changes in how intellectual works are fixed physically, as well as practical experience with copyright implementation, challenge these assumptions about durability, and indicate the need for more circumscribed grants of intellectual rights. Yet copyright duration and scope increased substantially in the nineteenth and twentieth centuries, and the changes in media durability have gone largely unconsidered by recent theorists. As a result, modern adaptations of intellectual property theory extrapolated from Enlightenment-era models fail to afford sufficient value to preservation of creative works.
520 $a Many nineteenth- and twentieth-century media are inherently fragile or unstable, illustrating problems with the archetype of the long-term information carrier---for instance, newspaper and paperback books in print, daguerreotypes in photography, phonograph cylinders and shellac discs in audio, nitrate film and VHS tapes in visual media, and floppy disks in software-based media. The relationship over time between American copyright policy and preservation efforts is assessed for three multimedia formats: sound recordings, moving images, and video games. This set of historical analyses is employed to suggest revisions to modern intellectual property theories, offering a more robust conceptualization of what intellectual property is for and what it should accomplish in practice.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Intellectual property. $3 559280
650 4 $a Law. $3 671705
650 4 $a Philosophy. $3 559771
655 7 $a Electronic books. $2 local $3 554714
690 $a 0513
690 $a 0398
690 $a 0422
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of Washington. $b Information School. $3 1179205
773 0 $t Dissertation Abstracts International $g 79-12A(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10827744 $z click for full text (PQDT)