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Packaging Human Expresschon : = The Intersection of Visual Communication, Art, and Music.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Packaging Human Expresschon :/
其他題名:	The Intersection of Visual Communication, Art, and Music.
作者:	Schwartz, Tim.
面頁冊數:	1 online resource (38 pages)
附註:	Source: Masters Abstracts International, Volume: 56-05.
Contained By:	Masters Abstracts International56-05(E).
標題:	Fine arts. -
電子資源:	click for full text (PQDT)
ISBN:	9781369869187

Packaging Human Expresschon : = The Intersection of Visual Communication, Art, and Music.
Schwartz, Tim.

Packaging Human Expresschon :The Intersection of Visual Communication, Art, and Music. - 1 online resource (38 pages)

Source: Masters Abstracts International, Volume: 56-05.

Thesis (M.F.A.)--Colorado State University, 2017.

Includes bibliographical references

The human ability to communicate and share thoughts and ideas is fascinating and is the foundation upon which our cultures and societies have been built. I examine human expression through words, art, graphic design, and music. Verbal and written languages have developed with thought and words that communicate meanings contained within their definitions. Words can combine and express straightforward ideas and abstract thought, but words cannot and do not express everything. They are limited. Paintings, images, and visual design can communicate and express in realistic and abstract ways that are outside of words, just as music can. I investigate these ideas in my work, most recently through three specific projects. In WORDS ARE BOXES, I express and explore the idea that words themselves limit thought. I also investigate the connection between art, design, and music in two works. The first, LSWRTH, proposes that the physical packaging of music can also be a freestanding, independent piece of art through the design and construction of an Ellsworth Kelly-inspired vinyl record packaging triptych. I further develop the art, design, and music connection with a project titled MODES. MODES combines compact disc (CD) packaging as art, along with the animated model for a digital application which hears notes and visually generates corresponding colors in real time. This work models the concept that the music itself is creating art as a digital extension of human-initiated creative practice. Humans express themselves in many ways. Combining methods of expression can potentially result in a powerful multisensory experience that enhances our connections to ourselves, to others, and to our world.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9781369869187Subjects--Topical Terms:

1112523
Fine arts.
Index Terms--Genre/Form:

554714
Electronic books.

Packaging Human Expresschon : = The Intersection of Visual Communication, Art, and Music.
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520 $a The human ability to communicate and share thoughts and ideas is fascinating and is the foundation upon which our cultures and societies have been built. I examine human expression through words, art, graphic design, and music. Verbal and written languages have developed with thought and words that communicate meanings contained within their definitions. Words can combine and express straightforward ideas and abstract thought, but words cannot and do not express everything. They are limited. Paintings, images, and visual design can communicate and express in realistic and abstract ways that are outside of words, just as music can. I investigate these ideas in my work, most recently through three specific projects. In WORDS ARE BOXES, I express and explore the idea that words themselves limit thought. I also investigate the connection between art, design, and music in two works. The first, LSWRTH, proposes that the physical packaging of music can also be a freestanding, independent piece of art through the design and construction of an Ellsworth Kelly-inspired vinyl record packaging triptych. I further develop the art, design, and music connection with a project titled MODES. MODES combines compact disc (CD) packaging as art, along with the animated model for a digital application which hears notes and visually generates corresponding colors in real time. This work models the concept that the music itself is creating art as a digital extension of human-initiated creative practice. Humans express themselves in many ways. Combining methods of expression can potentially result in a powerful multisensory experience that enhances our connections to ourselves, to others, and to our world.
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