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Web Aesthetics and the Erosion of th...

University of Maryland, College Park.

Web Aesthetics and the Erosion of the Real.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Web Aesthetics and the Erosion of the Real./
作者:	Garahan, Olivia Clarisse.
面頁冊數:	1 online resource (54 pages)
附註:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
標題:	Aesthetics. -
電子資源:	click for full text (PQDT)
ISBN:	9780438146150

Web Aesthetics and the Erosion of the Real.
Garahan, Olivia Clarisse.

Web Aesthetics and the Erosion of the Real. - 1 online resource (54 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.S.)--University of Maryland, College Park, 2018.

Includes bibliographical references

This paper argues that the visual language of the web as it exists today is a collection of simulations of the physical world that have, over time, replaced their referents; moreover, the current visual landscape of the web reflects its pervasiveness in every aspect of life. The early history of design for the web was shaped by visual metaphors in early GUIs, which used references to familiar physical objects to guide users. In its early days, web design was limited to creating readable pages with some visually interesting elements. As web technology became more robust, web design was able to develop its own design conventions, aesthetic trends, and user expectations, and designers faced fewer limitations in designing for the web. Today, the web plays a critical role in everyday life; contemporary web aesthetics are self-referential and no longer reliant on references to the physical world that the web has eclipsed.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438146150Subjects--Topical Terms:

555008
Aesthetics.
Index Terms--Genre/Form:

554714
Electronic books.

Web Aesthetics and the Erosion of the Real.
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500 $a Source: Masters Abstracts International, Volume: 58-01.
500 $a Adviser: Jennifer Golbeck.
502 $a Thesis (M.S.)--University of Maryland, College Park, 2018.
504 $a Includes bibliographical references
520 $a This paper argues that the visual language of the web as it exists today is a collection of simulations of the physical world that have, over time, replaced their referents; moreover, the current visual landscape of the web reflects its pervasiveness in every aspect of life. The early history of design for the web was shaped by visual metaphors in early GUIs, which used references to familiar physical objects to guide users. In its early days, web design was limited to creating readable pages with some visually interesting elements. As web technology became more robust, web design was able to develop its own design conventions, aesthetic trends, and user expectations, and designers faced fewer limitations in designing for the web. Today, the web plays a critical role in everyday life; contemporary web aesthetics are self-referential and no longer reliant on references to the physical world that the web has eclipsed.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Aesthetics. $3 555008
650 4 $a Web studies. $3 1148502
655 7 $a Electronic books. $2 local $3 554714
690 $a 0650
690 $a 0646
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of Maryland, College Park. $b Library & Information Services. $3 1185305
773 0 $t Masters Abstracts International $g 58-01(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10808347 $z click for full text (PQDT)

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