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The Importance of Visual Effects in ...

ProQuest Information and Learning Co.

The Importance of Visual Effects in Film Narrative and Film Theory.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	The Importance of Visual Effects in Film Narrative and Film Theory./
Author:	Lamm, Cassidy.
Description:	1 online resource (85 pages)
Notes:	Source: Masters Abstracts International, Volume: 57-06.
Contained By:	Masters Abstracts International57-06(E).
Subject:	Fine arts. -
Online resource:	click for full text (PQDT)
ISBN:	9780438055650

The Importance of Visual Effects in Film Narrative and Film Theory.
Lamm, Cassidy.

The Importance of Visual Effects in Film Narrative and Film Theory. - 1 online resource (85 pages)

Source: Masters Abstracts International, Volume: 57-06.

Thesis (M.F.A.)--Clemson University, 2018.

Includes bibliographical references

The focus of this work is to explore the ways in which visual effects have been given a key role in the narrative of film. It explores the history of digital compositing and film theory, discussing how new technology has changed the way audiences relate to, evaluate, and enjoy film. With this idea in mind, two separate live action shorts began production: one with invisible computer graphics (CG) elements (effects that replicate reality) and one with obvious CG elements. In this paper I will present how the storyboarding, filming, modeling, surfacing, fx, animation, and compositing are crafted in relation to visual effects and realism.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438055650Subjects--Topical Terms:

1112523
Fine arts.
Index Terms--Genre/Form:

554714
Electronic books.

The Importance of Visual Effects in Film Narrative and Film Theory.
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020 $a 9780438055650
035 $a (MiAaPQ)AAI10810384
035 $a (MiAaPQ)clemson:14841
035 $a AAI10810384
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Lamm, Cassidy. $3 1194067
245 1 4 $a The Importance of Visual Effects in Film Narrative and Film Theory.
264 0 $c 2018
300 $a 1 online resource (85 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 57-06.
500 $a Adviser: Eric Patterson.
502 $a Thesis (M.F.A.)--Clemson University, 2018.
504 $a Includes bibliographical references
520 $a The focus of this work is to explore the ways in which visual effects have been given a key role in the narrative of film. It explores the history of digital compositing and film theory, discussing how new technology has changed the way audiences relate to, evaluate, and enjoy film. With this idea in mind, two separate live action shorts began production: one with invisible computer graphics (CG) elements (effects that replicate reality) and one with obvious CG elements. In this paper I will present how the storyboarding, filming, modeling, surfacing, fx, animation, and compositing are crafted in relation to visual effects and realism.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Fine arts. $3 1112523
650 4 $a Cinematography. $3 662327
655 7 $a Electronic books. $2 local $3 554714
690 $a 0357
690 $a 0435
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Clemson University. $b Architecture, Arts and Humanities. $3 1191481
773 0 $t Masters Abstracts International $g 57-06(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10810384 $z click for full text (PQDT)

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