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Finding Space, Making Place : = Understanding the Importance of Social Space to Local Punk Communities.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Finding Space, Making Place :/
其他題名:	Understanding the Importance of Social Space to Local Punk Communities.
作者:	Green, Katie Victoria.
面頁冊數:	1 online resource (234 pages)
附註:	Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A.
Contained By:	Dissertation Abstracts International80-02A(E).
標題:	Sociology. -
電子資源:	click for full text (PQDT)
ISBN:	9780438515147

Finding Space, Making Place : = Understanding the Importance of Social Space to Local Punk Communities.
Green, Katie Victoria.

Finding Space, Making Place :Understanding the Importance of Social Space to Local Punk Communities. - 1 online resource (234 pages)

Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A.

Thesis (Ph.D.)--Trent University (Canada), 2018.

Includes bibliographical references

Independent music venues are important hubs of social activity and cultural production around which local punk scenes are both physically and conceptually organized. Through interactions with participants over extended periods of time, these spaces become meaningful places that are imbued with the energy, history and memories of local music scenes. When a venue is shut down, local punk scenes experience a temporary disruption as participants struggle to begin the process of re-establishing a new autonomous social space free from outsider interference. Therefore, moving from the local, to the national, to the international, from the small and personal to the vast and global, as well as from the physical to the virtual, this dissertation illustrates the actual, everyday practices of local scenes across Canada, addressing the larger issue of the loss of alternative music venues occurring on a global scale and the resulting impact on punk scene participants. Through the use of ethnographic research methods such as participant observation, photographic documentation, interviews and surveys, this dissertation engages with contemporary punk scene participants in order to give voice to those often ignored in grand narratives of punk history. As such, traditional concepts of punk as a utopic countercultural space are challenged to reveal the complexity and diversity that exists within contemporary local punk scenes, where participants often experience equal amounts of cooperation, competition, tension and struggle. By choosing to engage with contemporary experiences and interpretations of punk culture, this research addresses the changing landscape of local scenes, as punk participants attempt to carve out spaces of representation for themselves in an exceedingly mediated world.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438515147Subjects--Topical Terms:

551705
Sociology.
Index Terms--Genre/Form:

554714
Electronic books.

Finding Space, Making Place : = Understanding the Importance of Social Space to Local Punk Communities.
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502 $a Thesis (Ph.D.)--Trent University (Canada), 2018.
504 $a Includes bibliographical references
520 $a Independent music venues are important hubs of social activity and cultural production around which local punk scenes are both physically and conceptually organized. Through interactions with participants over extended periods of time, these spaces become meaningful places that are imbued with the energy, history and memories of local music scenes. When a venue is shut down, local punk scenes experience a temporary disruption as participants struggle to begin the process of re-establishing a new autonomous social space free from outsider interference. Therefore, moving from the local, to the national, to the international, from the small and personal to the vast and global, as well as from the physical to the virtual, this dissertation illustrates the actual, everyday practices of local scenes across Canada, addressing the larger issue of the loss of alternative music venues occurring on a global scale and the resulting impact on punk scene participants. Through the use of ethnographic research methods such as participant observation, photographic documentation, interviews and surveys, this dissertation engages with contemporary punk scene participants in order to give voice to those often ignored in grand narratives of punk history. As such, traditional concepts of punk as a utopic countercultural space are challenged to reveal the complexity and diversity that exists within contemporary local punk scenes, where participants often experience equal amounts of cooperation, competition, tension and struggle. By choosing to engage with contemporary experiences and interpretations of punk culture, this research addresses the changing landscape of local scenes, as punk participants attempt to carve out spaces of representation for themselves in an exceedingly mediated world.
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