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Digital Vivisection : = The Examination of Anima in the Human Figure when Digitized through 3D Scanning, 3D Printing, and Augmented Reality.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Digital Vivisection :/
Reminder of title:	The Examination of Anima in the Human Figure when Digitized through 3D Scanning, 3D Printing, and Augmented Reality.
Author:	Gangwisch, Jeffrey.
Description:	1 online resource (61 pages)
Notes:	Source: Masters Abstracts International, Volume: 57-06.
Contained By:	Masters Abstracts International57-06(E).
Subject:	Fine arts. -
Online resource:	click for full text (PQDT)
ISBN:	9780355990041

Digital Vivisection : = The Examination of Anima in the Human Figure when Digitized through 3D Scanning, 3D Printing, and Augmented Reality.
Gangwisch, Jeffrey.

Digital Vivisection :The Examination of Anima in the Human Figure when Digitized through 3D Scanning, 3D Printing, and Augmented Reality. - 1 online resource (61 pages)

Source: Masters Abstracts International, Volume: 57-06.

Thesis (M.F.A.)--University of Maryland, Baltimore County, 2018.

Includes bibliographical references

There is a distinctly visceral terror in the visual vivisection of the human form, an exploration familiar to surrealists and other artists who deconstruct the human figure. This terror is amplified by contemporary digital production tools. Digital processing reduces the anima of both the artist and their figurative subject into the abstract expression of digital artefacting, contrasting the organic with the artificial and the biological structure with its imaging data. My contribution to the 2018 Intermedia & Digital Arts (IMDA) Master of Fine Arts (M.F.A.) thesis exhibition Lucky Suns includes three-dimensional figure scans incorporated into laser-etched photographs, illuminated 3D-printed sculpture, and augmented-reality installation. Each of these works utilizes visual artefacting of digital processes as a metaphor for the evolution of digital culture. These pieces explore the consumption of the human by the digital, where the figures and the viewers both are engulfed by a black-box reality at once material and immaterial, a universe created in a binary language through which we must all now communicate, however impossible that demand may be.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780355990041Subjects--Topical Terms:

1112523
Fine arts.
Index Terms--Genre/Form:

554714
Electronic books.

Digital Vivisection : = The Examination of Anima in the Human Figure when Digitized through 3D Scanning, 3D Printing, and Augmented Reality.
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500 $a Adviser: Kathy O'Dell.
502 $a Thesis (M.F.A.)--University of Maryland, Baltimore County, 2018.
504 $a Includes bibliographical references
520 $a There is a distinctly visceral terror in the visual vivisection of the human form, an exploration familiar to surrealists and other artists who deconstruct the human figure. This terror is amplified by contemporary digital production tools. Digital processing reduces the anima of both the artist and their figurative subject into the abstract expression of digital artefacting, contrasting the organic with the artificial and the biological structure with its imaging data. My contribution to the 2018 Intermedia & Digital Arts (IMDA) Master of Fine Arts (M.F.A.) thesis exhibition Lucky Suns includes three-dimensional figure scans incorporated into laser-etched photographs, illuminated 3D-printed sculpture, and augmented-reality installation. Each of these works utilizes visual artefacting of digital processes as a metaphor for the evolution of digital culture. These pieces explore the consumption of the human by the digital, where the figures and the viewers both are engulfed by a black-box reality at once material and immaterial, a universe created in a binary language through which we must all now communicate, however impossible that demand may be.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
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