國立虎尾科技大學 |

Text and Image : = Calligraphy in Contemporary Iranian Art.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Text and Image :/
其他題名:	Calligraphy in Contemporary Iranian Art.
作者:	Jafari, Razieh.
面頁冊數:	1 online resource (34 pages)
附註:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
標題:	Fine arts. -
電子資源:	click for full text (PQDT)
ISBN:	9780438195325

Text and Image : = Calligraphy in Contemporary Iranian Art.
Jafari, Razieh.

Text and Image :Calligraphy in Contemporary Iranian Art. - 1 online resource (34 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.F.A.)--State University of New York at Stony Brook, 2018.

Includes bibliographical references

Combining traditional and new media has shaped my practice and research in art. As a painter and illustrator, coming from Iran with a background in Industrial Design and traditional Iranian miniature painting, the process of experimenting with new media and combining it with traditional forms has become a part of my ongoing research investigation, practice, and inspiration. Persian miniature painting and Persian calligraphy provides a context and has a strong impact on my research. Calligraphy appears in many of my paintings, and has an important role regarding its relationship to the narratives embedded within the imagery that I work with. This has led me to dedicate a part of my research to exploring the role of typography and calligraphy in contemporary art.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438195325Subjects--Topical Terms:

1112523
Fine arts.
Index Terms--Genre/Form:

554714
Electronic books.

Text and Image : = Calligraphy in Contemporary Iranian Art.
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500 $a Source: Masters Abstracts International, Volume: 58-01.
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504 $a Includes bibliographical references
520 $a Combining traditional and new media has shaped my practice and research in art. As a painter and illustrator, coming from Iran with a background in Industrial Design and traditional Iranian miniature painting, the process of experimenting with new media and combining it with traditional forms has become a part of my ongoing research investigation, practice, and inspiration. Persian miniature painting and Persian calligraphy provides a context and has a strong impact on my research. Calligraphy appears in many of my paintings, and has an important role regarding its relationship to the narratives embedded within the imagery that I work with. This has led me to dedicate a part of my research to exploring the role of typography and calligraphy in contemporary art.
520 $a This thesis examines the definition and function of calligraphy in Iranian and Islamic art through recent history, with a focus on letter-forms whose appearance supersedes the linguistic meaning of the text; and where their visual and aesthetic status is an art form in its own right. The text and image analysis demonstrates how these calligraphic forms are able to operate on numerous layers of aesthetic experience, approachable to a variety of audiences and viewers. In my study I specifically explore the work of Iranian artists such as Mohammad Ehsaei, Parviz Tanavoli, Homa Delvaray, and Golnaz Fathi whose works make use of calligraphic text; I analyze their relation to contemporary art. Finally, this paper draws together the connections between my secondary research on these artists, and my own primary research and practice in the studio.
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710 2 $a State University of New York at Stony Brook. $b Studio Art. $3 1195721
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