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Gaze Relations : = Looking as Power.
~
ProQuest Information and Learning Co.
Gaze Relations : = Looking as Power.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Gaze Relations :/
其他題名:
Looking as Power.
作者:
Assi, Anthony.
面頁冊數:
1 online resource (41 pages)
附註:
Source: Masters Abstracts International, Volume: 58-01.
Contained By:
Masters Abstracts International58-01(E).
標題:
Fine arts. -
電子資源:
click for full text (PQDT)
ISBN:
9780438249639
Gaze Relations : = Looking as Power.
Assi, Anthony.
Gaze Relations :
Looking as Power. - 1 online resource (41 pages)
Source: Masters Abstracts International, Volume: 58-01.
Thesis (M.F.A.)--University of California, Santa Cruz, 2018.
Includes bibliographical references
Gaze Relations is an art installation that visualizes how human gaze and computer vision see bodies in visual media to compare how they operate perceptually and culturally. Gaze, in visual media, refers to the way the filmmaker and audience look at bodies and how the filmmaker behind the camera influences the way the photographic subject is represented to an audience. Body detection, on the other hand, is a computer vision technique employed by surveillance institutions to automate the process of detecting bodies in surveillance footage. Gaze Relations critically visualizes and materializes these abstract phenomena of gaze and surveillance through visual art that represent the way these modes of vision operate. Gaze-tracking software tracks how a person looks at an image and then custom-built software reconstructs the image through their gaze demonstrating how they visually engaged with the photographic body. With respect to surveillance, critical software was developed to visually analyze the processes of how a popular body detection algorithm models a human body. In addition to video, costume designs represent how the algorithm sees the body projecting the machine vision back into the world it is looking at. The piece highlights the differences between the complexities and nuances of human gaze to the algorithmic processes of computer vision that reduce the human form to simple features. Gaze and computer vision will be discussed as powerful social and cultural force capable of influencing the external world, not just the phenomena of taking in light and processing it.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780438249639Subjects--Topical Terms:
1112523
Fine arts.
Index Terms--Genre/Form:
554714
Electronic books.
Gaze Relations : = Looking as Power.
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Gaze Relations is an art installation that visualizes how human gaze and computer vision see bodies in visual media to compare how they operate perceptually and culturally. Gaze, in visual media, refers to the way the filmmaker and audience look at bodies and how the filmmaker behind the camera influences the way the photographic subject is represented to an audience. Body detection, on the other hand, is a computer vision technique employed by surveillance institutions to automate the process of detecting bodies in surveillance footage. Gaze Relations critically visualizes and materializes these abstract phenomena of gaze and surveillance through visual art that represent the way these modes of vision operate. Gaze-tracking software tracks how a person looks at an image and then custom-built software reconstructs the image through their gaze demonstrating how they visually engaged with the photographic body. With respect to surveillance, critical software was developed to visually analyze the processes of how a popular body detection algorithm models a human body. In addition to video, costume designs represent how the algorithm sees the body projecting the machine vision back into the world it is looking at. The piece highlights the differences between the complexities and nuances of human gaze to the algorithmic processes of computer vision that reduce the human form to simple features. Gaze and computer vision will be discussed as powerful social and cultural force capable of influencing the external world, not just the phenomena of taking in light and processing it.
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