國立虎尾科技大學 |

Gaze Relations : = Looking as Power.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Gaze Relations :/
Reminder of title:	Looking as Power.
Author:	Assi, Anthony.
Description:	1 online resource (41 pages)
Notes:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
Subject:	Fine arts. -
Online resource:	click for full text (PQDT)
ISBN:	9780438249639

Gaze Relations : = Looking as Power.
Assi, Anthony.

Gaze Relations :Looking as Power. - 1 online resource (41 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.F.A.)--University of California, Santa Cruz, 2018.

Includes bibliographical references

Gaze Relations is an art installation that visualizes how human gaze and computer vision see bodies in visual media to compare how they operate perceptually and culturally. Gaze, in visual media, refers to the way the filmmaker and audience look at bodies and how the filmmaker behind the camera influences the way the photographic subject is represented to an audience. Body detection, on the other hand, is a computer vision technique employed by surveillance institutions to automate the process of detecting bodies in surveillance footage. Gaze Relations critically visualizes and materializes these abstract phenomena of gaze and surveillance through visual art that represent the way these modes of vision operate. Gaze-tracking software tracks how a person looks at an image and then custom-built software reconstructs the image through their gaze demonstrating how they visually engaged with the photographic body. With respect to surveillance, critical software was developed to visually analyze the processes of how a popular body detection algorithm models a human body. In addition to video, costume designs represent how the algorithm sees the body projecting the machine vision back into the world it is looking at. The piece highlights the differences between the complexities and nuances of human gaze to the algorithmic processes of computer vision that reduce the human form to simple features. Gaze and computer vision will be discussed as powerful social and cultural force capable of influencing the external world, not just the phenomena of taking in light and processing it.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438249639Subjects--Topical Terms:

1112523
Fine arts.
Index Terms--Genre/Form:

554714
Electronic books.

Gaze Relations : = Looking as Power.
LDR:02750ntm a2200325Ki 4500 001 920863
005 20181203094403.5
006 m o u
007 cr mn||||a|a||
008 190606s2018 xx obm 000 0 eng d
020 $a 9780438249639
035 $a (MiAaPQ)AAI10829888
035 $a (MiAaPQ)ucsc:11584
035 $a AAI10829888
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Assi, Anthony. $3 1195781
245 1 0 $a Gaze Relations : $b Looking as Power.
264 0 $c 2018
300 $a 1 online resource (41 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 58-01.
500 $a Adviser: Edward Shanken.
502 $a Thesis (M.F.A.)--University of California, Santa Cruz, 2018.
504 $a Includes bibliographical references
520 $a Gaze Relations is an art installation that visualizes how human gaze and computer vision see bodies in visual media to compare how they operate perceptually and culturally. Gaze, in visual media, refers to the way the filmmaker and audience look at bodies and how the filmmaker behind the camera influences the way the photographic subject is represented to an audience. Body detection, on the other hand, is a computer vision technique employed by surveillance institutions to automate the process of detecting bodies in surveillance footage. Gaze Relations critically visualizes and materializes these abstract phenomena of gaze and surveillance through visual art that represent the way these modes of vision operate. Gaze-tracking software tracks how a person looks at an image and then custom-built software reconstructs the image through their gaze demonstrating how they visually engaged with the photographic body. With respect to surveillance, critical software was developed to visually analyze the processes of how a popular body detection algorithm models a human body. In addition to video, costume designs represent how the algorithm sees the body projecting the machine vision back into the world it is looking at. The piece highlights the differences between the complexities and nuances of human gaze to the algorithmic processes of computer vision that reduce the human form to simple features. Gaze and computer vision will be discussed as powerful social and cultural force capable of influencing the external world, not just the phenomena of taking in light and processing it.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Fine arts. $3 1112523
655 7 $a Electronic books. $2 local $3 554714
690 $a 0357
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Santa Cruz. $b Digital Arts and New Media. $3 1195782
773 0 $t Masters Abstracts International $g 58-01(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10829888 $z click for full text (PQDT)