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Dressing Queen B : = Beyonce's Onsta...

Fashion Institute of Technology, State University of New York.

Dressing Queen B : = Beyonce's Onstage Costumes and Fashions.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Dressing Queen B :/
其他題名:	Beyonce's Onstage Costumes and Fashions.
作者:	Lisby, Darnell J.
面頁冊數:	1 online resource (278 pages)
附註:	Source: Masters Abstracts International, Volume: 58-01.
Contained By:	Masters Abstracts International58-01(E).
標題:	Fashion. -
電子資源:	click for full text (PQDT)
ISBN:	9780438434721

Dressing Queen B : = Beyonce's Onstage Costumes and Fashions.
Lisby, Darnell J.

Dressing Queen B :Beyonce's Onstage Costumes and Fashions. - 1 online resource (278 pages)

Source: Masters Abstracts International, Volume: 58-01.

Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2018.

Includes bibliographical references

Beyonce Knowles-Carter (b. 1981) has become an iconic figure, not just in the entertainment industry, but within the history of American fashion. In this paper I analyze and discuss how Beyonce has used her costumes and fashions to emphasize the messages within her music.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438434721Subjects--Topical Terms:

866133
Fashion.
Index Terms--Genre/Form:

554714
Electronic books.

Dressing Queen B : = Beyonce's Onstage Costumes and Fashions.
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100 1 $a Lisby, Darnell J. $3 1195794
245 1 0 $a Dressing Queen B : $b Beyonce's Onstage Costumes and Fashions.
264 0 $c 2018
300 $a 1 online resource (278 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Masters Abstracts International, Volume: 58-01.
500 $a Advisers: Lourdes Font; Denyse Montegut.
502 $a Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2018.
504 $a Includes bibliographical references
520 $a Beyonce Knowles-Carter (b. 1981) has become an iconic figure, not just in the entertainment industry, but within the history of American fashion. In this paper I analyze and discuss how Beyonce has used her costumes and fashions to emphasize the messages within her music.
520 $a Beyonce began her career as the lead singer in the groups Girl's Tyme (1991-1996) and Destiny's Child (1997-2003), and launched her solo career in 2003 with the album Dangerously in Love. From Destiny's Child and throughout her career as a solo artist, she has used her costumes and fashions in live performances, videos and films to communicate the themes of feminism and African-American empowerment. During her early career, her onstage style pointed toward her newfound independence as a young adult; her seductive outfits seemed to celebrate the diversity of African-American ideals of beauty, versus the narrow and restrictive ideals of fashion. Beyonce's costumes and fashions also demonstrated her awareness of the legacy of previous generations of African-American women performers, such as Josephine Baker, Billie Holiday, Tina Turner and Diana Ross. Beyonce's mother, Tina Knowles-Lawson, has remained a constant source of support for her onstage style, designing costumes for numerous performances. Mother and daughter launched the House of Dereon ready-to-wear label in 2004, which helped to solidify Beyonce's place as a fashion leader. As she matured as an artist, her perspective evolved to reflect an understanding that she had a platform to create social change. During the past fifteen years, as the singer's influence in the music industry expanded rapidly, fashion designers have collaborated with her to produce avant-garde, custom-made costumes. Beyonce's music and choreography created the persona of a warrior; by partnering strategically with designers such as Thierry Mugler, Jean-Paul Gaultier, and Peter Dundas, all of whom view women as superheroes, she has been able to express her message transparently through her costumes and fashions. Through her onstage style, Beyonce has consistently projected strength and hope amid a turbulent period in politics and culture.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Fashion. $3 866133
650 4 $a Art history. $3 1180038
650 4 $a African American studies. $3 1180117
655 7 $a Electronic books. $2 local $3 554714
690 $a 0200
690 $a 0377
690 $a 0296
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a Fashion Institute of Technology, State University of New York. $b Fashion and Textile Studies: History, Theory, Museum Practice. $3 1181041
773 0 $t Masters Abstracts International $g 58-01(E).
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10838860 $z click for full text (PQDT)

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