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Treatises of Art in 15th and 16th-century Italy : = Contributions to the Intellectual Emancipation of Art = Trattati artistici in Italia fra Quattrocento e Cinquecento: contributi all'emancipazione intellettuale dell'arte.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	Treatises of Art in 15th and 16th-century Italy :/
Reminder of title:	Contributions to the Intellectual Emancipation of Art = Trattati artistici in Italia fra Quattrocento e Cinquecento: contributi all'emancipazione intellettuale dell'arte.
remainder title:	Trattati artistici in Italia fra Quattrocento e Cinquecento :
Author:	Paltrinieri, Carlotta.
Description:	1 online resource (221 pages)
Notes:	Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.
Contained By:	Dissertation Abstracts International80-01A(E).
Subject:	Italian literature. -
Online resource:	click for full text (PQDT)
ISBN:	9780438303027

Treatises of Art in 15th and 16th-century Italy : = Contributions to the Intellectual Emancipation of Art = Trattati artistici in Italia fra Quattrocento e Cinquecento: contributi all'emancipazione intellettuale dell'arte.
Paltrinieri, Carlotta.

Treatises of Art in 15th and 16th-century Italy :Contributions to the Intellectual Emancipation of Art = Trattati artistici in Italia fra Quattrocento e Cinquecento: contributi all'emancipazione intellettuale dell'arte.Trattati artistici in Italia fra Quattrocento e Cinquecento :contributi all'emancipazione intellettuale dell'arte. - 1 online resource (221 pages)

Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2018.

Includes bibliographical references

Between the 15th and 16th centuries, the visual arts experience a transition from mechanical to liberal status. This transition has been thoroughly investigated, especially in its social and cultural aspects: artists achieve a higher position in society, whilst philosophical and literary debates on the intellectual dignity of the arts flourish. The primary focus of the artistic literature of the time becomes the construction of a theory of art, based on previous intellectual discourses around the definition and study of the liberal arts. Artists and literati join forces to emancipate the visual arts, though each uses a different strategy to do so. The Book of Art by Cennino Cennini can be considered the first attempt to acknowledge the creative license of art (specifically painting) and thus the starting point of this evolution; an evolution that is later promoted through the art treatises of the Quattrocento and Cinquecento, in which artists and literati freely exchange ideas about the intellectual potential of art and the status of the artist.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018

Mode of access: World Wide Web

ISBN: 9780438303027Subjects--Topical Terms:

1195822
Italian literature.
Index Terms--Genre/Form:

554714
Electronic books.

Treatises of Art in 15th and 16th-century Italy : = Contributions to the Intellectual Emancipation of Art = Trattati artistici in Italia fra Quattrocento e Cinquecento: contributi all'emancipazione intellettuale dell'arte.
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500 $a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.
500 $a Adviser: Massimo Scalabrini.
502 $a Thesis (Ph.D.)--Indiana University, 2018.
504 $a Includes bibliographical references
520 $a Between the 15th and 16th centuries, the visual arts experience a transition from mechanical to liberal status. This transition has been thoroughly investigated, especially in its social and cultural aspects: artists achieve a higher position in society, whilst philosophical and literary debates on the intellectual dignity of the arts flourish. The primary focus of the artistic literature of the time becomes the construction of a theory of art, based on previous intellectual discourses around the definition and study of the liberal arts. Artists and literati join forces to emancipate the visual arts, though each uses a different strategy to do so. The Book of Art by Cennino Cennini can be considered the first attempt to acknowledge the creative license of art (specifically painting) and thus the starting point of this evolution; an evolution that is later promoted through the art treatises of the Quattrocento and Cinquecento, in which artists and literati freely exchange ideas about the intellectual potential of art and the status of the artist.
520 $a The artists and literati included in this dissertation, such as Leon Battista Alberti, Leonardo da Vinci and Giorgio Vasari, voice a common aspiration: giving a theoretical basis to art, inasmuch as it is considered to be disciplined by the intellect and thus worthy of being included among the liberal arts. This research addresses some of the main issues of the Renaissance, such as the balance between ars and ingenium; the authority of classical models in the treatment of new topics and in the search for new art forms; and the quarrel originating from the Horatian ut pictura poesis. Such issues, drawn from both the classical and the humanist traditions, are re-elaborated to promote the intellectual emancipation of the visual arts.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2018
538 $a Mode of access: World Wide Web
650 4 $a Italian literature. $3 1195822
650 4 $a Art history. $3 1180038
655 7 $a Electronic books. $2 local $3 554714
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710 2 $a Indiana University. $b Italian. $3 1195821
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