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Transmissions in dance = contemporary staging practices /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Transmissions in dance/ edited by Lesley Main.
Reminder of title:	contemporary staging practices /
other author:	Main, Lesley.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xvii, 231 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Dance - Stage-setting and scenery. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-64873-6
ISBN:	9783319648736

Transmissions in dance = contemporary staging practices /
Transmissions in dancecontemporary staging practices /[electronic resource] :edited by Lesley Main. - Cham :Springer International Publishing :2017. - xvii, 231 p. :ill., digital ;24 cm.

1. Introductions; Lesley Main -- 2. Transmission: from archive to production. Re-imagining Laban - contemporizing the past, envisioning the future; Alison Curtis-Jones -- 3. Impure transmissions; traditions of modern dance across historical and geographical boundaries; Fabian Barba -- 4. Performing history: Wind Tossed (1936), Natural Movement and the hyper-historian; Maria Salgado Llopis -- 5. The Transmission--Translation--Transformation of Doris Humphrey's Two Ecstatic Themes (1931); Lesley Main -- 6. Transmission as Process and Power in Graham's Chronicle (1936); Kim Jones -- 7. Transmitting Trio A (1966): The Relations and Sociality of an Unspectacular Dance; Sara Wookey -- 8. Silent Transformations in Choreography-Making over Time: Rosemary Butcher's Practice of 'Looking Back and Ahead'; Stefanie Sachsenmaier -- 9. The Living Cultural Heritage of Robert Cohan; Paul R W Jackson.

This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban's Dancing Drumstick (1913) to Robert Cohan's Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.

ISBN: 9783319648736

Standard No.: 10.1007/978-3-319-64873-6doiSubjects--Topical Terms:

1197460
Dance
--Stage-setting and scenery.

LC Class. No.: GV1782 / .T736 2017

Dewey Class. No.: 793.32

Transmissions in dance = contemporary staging practices /
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505 0 $a 1. Introductions; Lesley Main -- 2. Transmission: from archive to production. Re-imagining Laban - contemporizing the past, envisioning the future; Alison Curtis-Jones -- 3. Impure transmissions; traditions of modern dance across historical and geographical boundaries; Fabian Barba -- 4. Performing history: Wind Tossed (1936), Natural Movement and the hyper-historian; Maria Salgado Llopis -- 5. The Transmission--Translation--Transformation of Doris Humphrey's Two Ecstatic Themes (1931); Lesley Main -- 6. Transmission as Process and Power in Graham's Chronicle (1936); Kim Jones -- 7. Transmitting Trio A (1966): The Relations and Sociality of an Unspectacular Dance; Sara Wookey -- 8. Silent Transformations in Choreography-Making over Time: Rosemary Butcher's Practice of 'Looking Back and Ahead'; Stefanie Sachsenmaier -- 9. The Living Cultural Heritage of Robert Cohan; Paul R W Jackson.
520 $a This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban's Dancing Drumstick (1913) to Robert Cohan's Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.
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