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The fascination with unknown time

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The fascination with unknown time/ edited by Sibylle Baumbach, Lena Henningsen, Klaus Oschema.
其他作者:	Baumbach, Sibylle.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xxi, 300 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Time. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-66438-5
ISBN:	9783319664385

The fascination with unknown time
The fascination with unknown time[electronic resource] /edited by Sibylle Baumbach, Lena Henningsen, Klaus Oschema. - Cham :Springer International Publishing :2017. - xxi, 300 p. :ill., digital ;24 cm.

This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siecle Germany and contemporary Lagos, the formation of 'deep time' and 'timelessness' in paleontology and ethnographic museums, and the representation of time--past, present, and future alike--in music, film, and science fiction.

ISBN: 9783319664385

Standard No.: 10.1007/978-3-319-66438-5doiSubjects--Topical Terms:

567857
Time.

LC Class. No.: BD638

Dewey Class. No.: 115

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520 $a This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siecle Germany and contemporary Lagos, the formation of 'deep time' and 'timelessness' in paleontology and ethnographic museums, and the representation of time--past, present, and future alike--in music, film, and science fiction.
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