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Turks, repertories, and the early mo...
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Hutchings, Mark.
Turks, repertories, and the early modern English stage
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Turks, repertories, and the early modern English stage/ by Mark Hutchings.
Author:
Hutchings, Mark.
Published:
London :Palgrave Macmillan UK : : 2017.,
Description:
ix, 254 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
English drama - Themes, motives. - Early modern and Elizabethan, 1500-1600 -
Subject:
Turkey - Economic conditions - 1960- -
Online resource:
http://dx.doi.org/10.1057/978-1-137-46263-3
ISBN:
9781137462633
Turks, repertories, and the early modern English stage
Hutchings, Mark.
Turks, repertories, and the early modern English stage
[electronic resource] /by Mark Hutchings. - London :Palgrave Macmillan UK :2017. - ix, 254 p. :ill., digital ;24 cm. - Early modern literature in history. - Early modern literature in history..
1. Introduction -- 2. 1453 and All That -- 3. Henslowe's Turks -- 4. The Turk Play and Repertory Modelling -- 5. Shakespeare's Turks.
This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of 'the Turk' in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established'the Turk' as a fixture in the playhouse. But it was the demand for plays to replenish company repertories to attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement.
ISBN: 9781137462633
Standard No.: 10.1057/978-1-137-46263-3doiSubjects--Topical Terms:
1198371
English drama
--Themes, motives.--Early modern and Elizabethan, 1500-1600Subjects--Geographical Terms:
783899
Turkey
--Economic conditions--1960-
LC Class. No.: PR658.T87 / H88 2017
Dewey Class. No.: 822.30935299435
Turks, repertories, and the early modern English stage
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1. Introduction -- 2. 1453 and All That -- 3. Henslowe's Turks -- 4. The Turk Play and Repertory Modelling -- 5. Shakespeare's Turks.
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This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of 'the Turk' in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established'the Turk' as a fixture in the playhouse. But it was the demand for plays to replenish company repertories to attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement.
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Literature, Cultural and Media Studies (Springer-41173)
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