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John Clare's romanticism

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	John Clare's romanticism/ by Adam White.
作者:	White, Adam.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xi, 331 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Romanticism. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-53859-4
ISBN:	9783319538594

John Clare's romanticism
White, Adam.

John Clare's romanticism[electronic resource] /by Adam White. - Cham :Springer International Publishing :2017. - xi, 331 p. :ill., digital ;24 cm.

I Critical Contexts -- Chapter 1. Introduction -- Chapter 2. Reading Romantic Clare -- II Aesthetic Categories and Creative Faculties -- Chapter 3. Clare, Coleridge, Wordsworth, and the Poetics of Fancy -- Chapter 4. Romantic Spenserianism: Clare, Byron, and Sublime 'Time' -- Chapter 5. 'As now I gaze': Forms of Visual Experience in Clare's Sonnets -- III Imaginative Participations -- Chapter 6. Rural Ruins: Clare, Wordsworth, and Southey -- Chapter 7. 'Childish Recollections': From Lamb to Byron and Clare -- Chapter 8. Clare, Keats, Poesy, and Joy -- IV The Love Lyric -- Chapter 9. Clare and Burns -- V Conclusion -- Chapter 10. Clarean Formations -- Notes -- Bibliography -- Index.

This book offers a major reassessment of John Clare's poetry and his position in the Romantic canon. Alert to Clare's knowledge of the work of his Romantic contemporaries and near contemporaries, it puts forward the first extended series of comparisons of Clare's poetry with texts we now think of as defining the period - in particular poems by Robert Burns, William Wordsworth, Lord Byron, and John Keats. It makes fully evident Clare's original contribution to the aesthetic culture of the age by analysing how he explores a wide range of concerns and preoccupations which are central to, and especially privileged in, Romantic-period poetics, including 'fancy', the sublime, childhood, ruins, joy, 'poesy', and a love lyric marked by a peculiar self-consciousness about sincere expression. At the heart of this book is the claim that the hitherto under-scrutinised subjective stances, transcendent modes, and abstract qualities of Clare's lyric poetry situate him firmly within, and as fundamentally part of, Romanticism, at the same time as his writing constitutes a distinctive contribution to one of the most fascinating eras of English literature.

ISBN: 9783319538594

Standard No.: 10.1007/978-3-319-53859-4doiSubjects--Personal Names:

1199103
Clare, John,
1793-1864--Criticism and interpretation.Subjects--Topical Terms:

561666
Romanticism.

LC Class. No.: PR4453.C6

Dewey Class. No.: 821.7

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505 0 $a I Critical Contexts -- Chapter 1. Introduction -- Chapter 2. Reading Romantic Clare -- II Aesthetic Categories and Creative Faculties -- Chapter 3. Clare, Coleridge, Wordsworth, and the Poetics of Fancy -- Chapter 4. Romantic Spenserianism: Clare, Byron, and Sublime 'Time' -- Chapter 5. 'As now I gaze': Forms of Visual Experience in Clare's Sonnets -- III Imaginative Participations -- Chapter 6. Rural Ruins: Clare, Wordsworth, and Southey -- Chapter 7. 'Childish Recollections': From Lamb to Byron and Clare -- Chapter 8. Clare, Keats, Poesy, and Joy -- IV The Love Lyric -- Chapter 9. Clare and Burns -- V Conclusion -- Chapter 10. Clarean Formations -- Notes -- Bibliography -- Index.
520 $a This book offers a major reassessment of John Clare's poetry and his position in the Romantic canon. Alert to Clare's knowledge of the work of his Romantic contemporaries and near contemporaries, it puts forward the first extended series of comparisons of Clare's poetry with texts we now think of as defining the period - in particular poems by Robert Burns, William Wordsworth, Lord Byron, and John Keats. It makes fully evident Clare's original contribution to the aesthetic culture of the age by analysing how he explores a wide range of concerns and preoccupations which are central to, and especially privileged in, Romantic-period poetics, including 'fancy', the sublime, childhood, ruins, joy, 'poesy', and a love lyric marked by a peculiar self-consciousness about sincere expression. At the heart of this book is the claim that the hitherto under-scrutinised subjective stances, transcendent modes, and abstract qualities of Clare's lyric poetry situate him firmly within, and as fundamentally part of, Romanticism, at the same time as his writing constitutes a distinctive contribution to one of the most fascinating eras of English literature.
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