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Hesitant histories on the Romanian s...
~
Strausz, Laszlo.
Hesitant histories on the Romanian screen
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Hesitant histories on the Romanian screen/ by Laszlo Strausz.
Author:
Strausz, Laszlo.
Published:
Cham :Springer International Publishing : : 2017.,
Description:
viii, 257 p. :ill., digital ; : 22 cm.;
Contained By:
Springer eBooks
Subject:
Motion pictures - History - 20th century. - Romania -
Online resource:
http://dx.doi.org/10.1007/978-3-319-55272-9
ISBN:
9783319552729
Hesitant histories on the Romanian screen
Strausz, Laszlo.
Hesitant histories on the Romanian screen
[electronic resource] /by Laszlo Strausz. - Cham :Springer International Publishing :2017. - viii, 257 p. :ill., digital ;22 cm.
This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation.
ISBN: 9783319552729
Standard No.: 10.1007/978-3-319-55272-9doiSubjects--Topical Terms:
1199111
Motion pictures
--History--Romania--20th century.
LC Class. No.: PN1993.5.R6 / S77 2017
Dewey Class. No.: 791.4309498
Hesitant histories on the Romanian screen
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by Laszlo Strausz.
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Imprint: Palgrave Macmillan,
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2017.
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viii, 257 p. :
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ill., digital ;
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22 cm.
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This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation.
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Romania
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20th century.
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Literature, Cultural and Media Studies (Springer-41173)
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