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Hesitant histories on the Romanian s...

Strausz, Laszlo.

Hesitant histories on the Romanian screen

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Hesitant histories on the Romanian screen/ by Laszlo Strausz.
作者:	Strausz, Laszlo.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	viii, 257 p. :ill., digital ; : 22 cm.;
Contained By:	Springer eBooks
標題:	Motion pictures - History - 20th century. - Romania -
電子資源:	http://dx.doi.org/10.1007/978-3-319-55272-9
ISBN:	9783319552729

Hesitant histories on the Romanian screen
Strausz, Laszlo.

Hesitant histories on the Romanian screen[electronic resource] /by Laszlo Strausz. - Cham :Springer International Publishing :2017. - viii, 257 p. :ill., digital ;22 cm.

This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation.

ISBN: 9783319552729

Standard No.: 10.1007/978-3-319-55272-9doiSubjects--Topical Terms:

1199111
Motion pictures
--History--Romania--20th century.

LC Class. No.: PN1993.5.R6 / S77 2017

Dewey Class. No.: 791.4309498

Hesitant histories on the Romanian screen
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520 $a This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation.
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