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Marlowe and shakespeare = the critic...
~
Shakespeare, William, (1564-1616)
Marlowe and shakespeare = the critical rivalry /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Marlowe and shakespeare/ by Robert Sawyer.
Reminder of title:
the critical rivalry /
Author:
Sawyer, Robert.
Published:
New York :Palgrave Macmillan US : : 2017.,
Description:
xi, 382 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
Literature. -
Online resource:
http://dx.doi.org/10.1057/978-1-349-95227-4
ISBN:
9781349952274
Marlowe and shakespeare = the critical rivalry /
Sawyer, Robert.
Marlowe and shakespeare
the critical rivalry /[electronic resource] :by Robert Sawyer. - New York :Palgrave Macmillan US :2017. - xi, 382 p. :ill., digital ;24 cm.
Chapter 1 Introduction: "The Rivals of My Watch" -- Chapter 2: "Locating the Earliest 'Critics'" -- Chapter 3: The Seventeenth Century: "Collaboration, Co-Authorship and the Death of the Author(s)" -- Chapter 4: The Long Eighteenth Century: "Limbs Torn Asunder, Borrowing the Bones, Identifying the Corpus" -- Chapter 5: The Nineteenth Century: "The Space(s) of the Critical Rivalry in London" -- Chapter 6: The Twentieth Century: "Formalization, Polarization, and Fictionalization" -- Chapter 7: The Twenty-First Century: "Trauma, Drama, and Conspiracy"
Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Green's comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare's ghostwriter accelerates due to a climate of conspiracy, including "belief echoes," which presently permeate our cultural and critical discourse.
ISBN: 9781349952274
Standard No.: 10.1057/978-1-349-95227-4doiSubjects--Personal Names:
801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Topical Terms:
557269
Literature.
LC Class. No.: PR2976 / .S299 2017
Dewey Class. No.: 822.33
Marlowe and shakespeare = the critical rivalry /
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ill., digital ;
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Chapter 1 Introduction: "The Rivals of My Watch" -- Chapter 2: "Locating the Earliest 'Critics'" -- Chapter 3: The Seventeenth Century: "Collaboration, Co-Authorship and the Death of the Author(s)" -- Chapter 4: The Long Eighteenth Century: "Limbs Torn Asunder, Borrowing the Bones, Identifying the Corpus" -- Chapter 5: The Nineteenth Century: "The Space(s) of the Critical Rivalry in London" -- Chapter 6: The Twentieth Century: "Formalization, Polarization, and Fictionalization" -- Chapter 7: The Twenty-First Century: "Trauma, Drama, and Conspiracy"
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Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Green's comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare's ghostwriter accelerates due to a climate of conspiracy, including "belief echoes," which presently permeate our cultural and critical discourse.
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Literature, Cultural and Media Studies (Springer-41173)
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