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Space and subjectivity in contempora...
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Space and subjectivity in contemporary Brazilian cinema
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Space and subjectivity in contemporary Brazilian cinema/ edited by Antonio Marcio da Silva, Mariana Cunha.
other author:
Da Silva, Antonio Marcio.
Published:
Cham :Springer International Publishing : : 2017.,
Description:
xi, 244 p. :ill., digital ; : 22 cm.;
Contained By:
Springer eBooks
Subject:
Motion pictures - Brazil. -
Online resource:
http://dx.doi.org/10.1007/978-3-319-48267-5
ISBN:
9783319482675
Space and subjectivity in contemporary Brazilian cinema
Space and subjectivity in contemporary Brazilian cinema
[electronic resource] /edited by Antonio Marcio da Silva, Mariana Cunha. - Cham :Springer International Publishing :2017. - xi, 244 p. :ill., digital ;22 cm. - Screening spaces. - Screening spaces..
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal element of a film. From the rich cross-fertilization of different theories and disciplines, this edited collection engages with the connection between space and subjectivity in Brazilian cinema while raising new questions concerning spatiality and subjectivity in cinema and providing new models and tools for film analysis.
ISBN: 9783319482675
Standard No.: 10.1007/978-3-319-48267-5doiSubjects--Topical Terms:
940519
Motion pictures
--Brazil.
LC Class. No.: PN1993.5.B6 / S69 2017
Dewey Class. No.: 791.430981
Space and subjectivity in contemporary Brazilian cinema
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This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal element of a film. From the rich cross-fertilization of different theories and disciplines, this edited collection engages with the connection between space and subjectivity in Brazilian cinema while raising new questions concerning spatiality and subjectivity in cinema and providing new models and tools for film analysis.
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Literature, Cultural and Media Studies (Springer-41173)
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