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Theatre, social media, and meaning making

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Theatre, social media, and meaning making/ by Bree Hadley.
Author:	Hadley, Bree.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	ix, 256 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Theater and social media. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-54882-1
ISBN:	9783319548821

Theatre, social media, and meaning making
Hadley, Bree.

Theatre, social media, and meaning making[electronic resource] /by Bree Hadley. - Cham :Springer International Publishing :2017. - ix, 256 p. :ill., digital ;24 cm.

List of Figures -- Acknowledgements -- 1. Introduction,- 2. Social Media: Platforms, Networks and Influences -- 3. Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities -- 4. Social Media as Critical Stage: Controversy, Debate and Democracy -- 5. Social Media as Cultural Stage: Co-Creation, Audience Collaboration, and the Construction of Theatre Cultures -- 6. Conclusion -- References.

This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a 'game changer' by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.

ISBN: 9783319548821

Standard No.: 10.1007/978-3-319-54882-1doiSubjects--Topical Terms:

1110559
Theater and social media.

LC Class. No.: PN1590.S65 / H33 2017

Dewey Class. No.: 792

Theatre, social media, and meaning making
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505 0 $a List of Figures -- Acknowledgements -- 1. Introduction,- 2. Social Media: Platforms, Networks and Influences -- 3. Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities -- 4. Social Media as Critical Stage: Controversy, Debate and Democracy -- 5. Social Media as Cultural Stage: Co-Creation, Audience Collaboration, and the Construction of Theatre Cultures -- 6. Conclusion -- References.
520 $a This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a 'game changer' by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.
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