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Formations of masculinity in post-communist Hungarian cinema = labyrinthian men /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Formations of masculinity in post-communist Hungarian cinema/ by Gyorgy Kalmar.
其他題名:	labyrinthian men /
作者:	Kalmar, Gyorgy.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xxiv, 164 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Masculinity in motion pictures. -
標題:	Hungary - Church history. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-63664-1
ISBN:	9783319636641

Formations of masculinity in post-communist Hungarian cinema = labyrinthian men /
Kalmar, Gyorgy.

Formations of masculinity in post-communist Hungarian cinemalabyrinthian men /[electronic resource] :by Gyorgy Kalmar. - Cham :Springer International Publishing :2017. - xxiv, 164 p. :ill. (some col.), digital ;24 cm.

1. Introduction -- 2. The labyrinth principle: Figures of entrapment in Hungarian art-house cinema -- 3. Historical ruptures and ironic masculinities. (Moscow Square. Ferenc Torok, 2001) -- 4. Men on the margins of history. (Hukkle. Gyorgy Palfi, 2002) -- 5. Just the Wind. Benedek Fliegauf, 2012) -- 9. Conclusions.

This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference--with the memory and effects of state-socialism. In looking closely at the films' male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.

ISBN: 9783319636641

Standard No.: 10.1007/978-3-319-63664-1doiSubjects--Topical Terms:

835471
Masculinity in motion pictures.
Subjects--Geographical Terms:

800566
Hungary
--Church history.

LC Class. No.: PN1993.5.H8 / K356 2017

Dewey Class. No.: 791.4309439

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520 $a This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference--with the memory and effects of state-socialism. In looking closely at the films' male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.
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