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Playful disruption of digital media

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Playful disruption of digital media/ edited by Daniel Cermak-Sassenrath.
其他作者:	Cermak-Sassenrath, Daniel.
出版者:	Singapore :Springer Singapore : : 2018.,
面頁冊數:	xix, 310 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Interactive multimedia. -
電子資源:	http://dx.doi.org/10.1007/978-981-10-1891-6
ISBN:	9789811018916

Playful disruption of digital media
Playful disruption of digital media[electronic resource] /edited by Daniel Cermak-Sassenrath. - Singapore :Springer Singapore :2018. - xix, 310 p. :ill., digital ;24 cm. - Gaming media and social effects,2197-9685. - Gaming media and social effects..

From the Contents: Introduction: The subversive nature of play/games -- Part I Play,learning and reflection -- Questions Over Answers: Reflective Game Design -- The Phylogeny of Play -- Bodies in Play: Shifting between the virtual and physical body as a play element -- Blending & Blurring: Experiences with a Political Art Game -- Part II System,society,empowerment.

This book starts with the proposition that digital media invite play and indeed need to be played by their everyday users. Play is probably one of the most visible and powerful ways to appropriate the digital world. The diverse, emerging practices of digital media appear to be essentially playful: Users are involved and active, produce form and content, spread, exchange and consume it, take risks, are conscious of their own goals and the possibilities of achieving them, are skilled and know how to acquire more skills. They share a perspective of can-do, a curiosity of what happens next? Play can be observed in social, economic, political, artistic, educational and criminal contexts and endeavours. It is employed as a (counter) strategy, for tacit or open resistance, as a method and productive practice, and something people do for fun. The book aims to define a particular contemporary attitude, a playful approach to media. It identifies some common ground and key principles in this novel terrain. Instead of looking at play and how it branches into different disciplines like business and education, the phenomenon of play in digital media is approached unconstrained by disciplinary boundaries. The contributions in this book provide a glimpse of a playful technological revolution that is a joyful celebration of possibilities that new media afford. This book is not a practical guide on how to hack a system or to pirate music, but provides critical insights into the unintended, artistic, fun, subversive, and sometimes dodgy applications of digital media. Contributions from Chris Crawford, Mathias Fuchs, Rilla Khaled, Sybille Lammes, Eva and Franco Mattes, Florian 'Floyd' Mueller, Michael Nitsche, Julian Oliver, and others cover and address topics such as reflective game design, identity and people's engagement in online media, conflicts and challenging opportunities for play, playing with cartographical interfaces, player-emergent production practices, the re-purposing of data, game creation as an educational approach, the ludification of society, the creation of meaning within and without play, the internalisation and subversion of roles through play, and the boundaries of play.

ISBN: 9789811018916

Standard No.: 10.1007/978-981-10-1891-6doiSubjects--Topical Terms:

561218
Interactive multimedia.

LC Class. No.: QA76.76.I59 / P539 2018

Dewey Class. No.: 302.231

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520 $a This book starts with the proposition that digital media invite play and indeed need to be played by their everyday users. Play is probably one of the most visible and powerful ways to appropriate the digital world. The diverse, emerging practices of digital media appear to be essentially playful: Users are involved and active, produce form and content, spread, exchange and consume it, take risks, are conscious of their own goals and the possibilities of achieving them, are skilled and know how to acquire more skills. They share a perspective of can-do, a curiosity of what happens next? Play can be observed in social, economic, political, artistic, educational and criminal contexts and endeavours. It is employed as a (counter) strategy, for tacit or open resistance, as a method and productive practice, and something people do for fun. The book aims to define a particular contemporary attitude, a playful approach to media. It identifies some common ground and key principles in this novel terrain. Instead of looking at play and how it branches into different disciplines like business and education, the phenomenon of play in digital media is approached unconstrained by disciplinary boundaries. The contributions in this book provide a glimpse of a playful technological revolution that is a joyful celebration of possibilities that new media afford. This book is not a practical guide on how to hack a system or to pirate music, but provides critical insights into the unintended, artistic, fun, subversive, and sometimes dodgy applications of digital media. Contributions from Chris Crawford, Mathias Fuchs, Rilla Khaled, Sybille Lammes, Eva and Franco Mattes, Florian 'Floyd' Mueller, Michael Nitsche, Julian Oliver, and others cover and address topics such as reflective game design, identity and people's engagement in online media, conflicts and challenging opportunities for play, playing with cartographical interfaces, player-emergent production practices, the re-purposing of data, game creation as an educational approach, the ludification of society, the creation of meaning within and without play, the internalisation and subversion of roles through play, and the boundaries of play.
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