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Staging trauma = bodies in shadow /

SpringerLink (Online service)

Staging trauma = bodies in shadow /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Staging trauma/ by Miriam Haughton.
其他題名:	bodies in shadow /
作者:	Haughton, Miriam.
出版者:	London :Palgrave Macmillan UK : : 2018.,
面頁冊數:	xiv, 243 p. :ill., digital ; : 22 cm.;
Contained By:	Springer eBooks
標題:	Performing arts - Great Britain. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-53663-1
ISBN:	9781137536631

Staging trauma = bodies in shadow /
Haughton, Miriam.

Staging traumabodies in shadow /[electronic resource] :by Miriam Haughton. - London :Palgrave Macmillan UK :2018. - xiv, 243 p. :ill., digital ;22 cm. - Contemporary performance interactions. - Contemporary performance interactions..

This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on 'bodies in shadow' in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.

ISBN: 9781137536631

Standard No.: 10.1057/978-1-137-53663-1doiSubjects--Topical Terms:

1202684
Performing arts
--Great Britain.

LC Class. No.: PN1643 / .H38 2018

Dewey Class. No.: 792

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520 $a This book investigates contemporary British and Irish performances that stage traumatic narratives, histories, acts and encounters. It includes a range of case studies that consider the performative, cultural and political contexts for the staging and reception of sexual violence, terminal illness, environmental damage, institutionalisation and asylum. In particular, it focuses on 'bodies in shadow' in twenty-first century performance: those who are largely written out of or marginalised in dominant twentieth-century patriarchal canons of theatre and history. This volume speaks to students, scholars and artists working within contemporary theatre and performance, Irish and British studies, memory and trauma studies, feminisms, performance studies, affect and reception studies, as well as the medical humanities.
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