國立虎尾科技大學 |

Musical haptics

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Musical haptics/ edited by Stefano Papetti, Charalampos Saitis.
其他作者:	Papetti, Stefano.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xv, 285 p. :ill. (some col.), digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Haptic devices. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-58316-7
ISBN:	9783319583167

Musical haptics
Musical haptics[electronic resource] /edited by Stefano Papetti, Charalampos Saitis. - Cham :Springer International Publishing :2018. - xv, 285 p. :ill. (some col.), digital ;24 cm. - Springer series on touch and haptic systems,2192-2977. - Springer series on touch and haptic systems..

Introduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination.

Open access.

This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.

ISBN: 9783319583167

Standard No.: 10.1007/978-3-319-58316-7doiSubjects--Topical Terms:

768807
Haptic devices.

LC Class. No.: QA76.9.H85

Dewey Class. No.: 004.77

Musical haptics
LDR:03388nam a2200337 a 4500 001 925638
003 DE-He213
005 20180502163605.0
006 m d
007 cr nn 008maaau
008 190625s2018 gw s 0 eng d
020 $a 9783319583167 $q (electronic bk.)
020 $a 9783319583150 $q (paper)
024 7 $a 10.1007/978-3-319-58316-7 $2 doi
035 $a 978-3-319-58316-7
040 $a GP $c GP
041 0 $a eng
050 4 $a QA76.9.H85
072 7 $a UYZG $2 bicssc
072 7 $a COM070000 $2 bisacsh
082 0 4 $a 004.77 $2 23
090 $a QA76.9.H85 $b M987 2018
245 0 0 $a Musical haptics $h [electronic resource] / $c edited by Stefano Papetti, Charalampos Saitis.
260 $a Cham : $c 2018. $b Springer International Publishing : $b Imprint: Springer,
300 $a xv, 285 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Springer series on touch and haptic systems, $x 2192-2977
505 0 $a Introduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination.
506 $a Open access.
520 $a This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
650 0 $a Haptic devices. $3 768807
650 0 $a Computer science. $3 573171
650 0 $a Music. $3 649088
650 0 $a User interfaces (Computer systems) $3 561162
650 0 $a Cognitive psychology. $3 556029
650 1 4 $a Computer Science. $3 593922
650 2 4 $a User Interfaces and Human Computer Interaction. $3 669793
650 2 4 $a Cognitive Psychology. $3 593892
700 1 $a Papetti, Stefano. $3 1203527
700 1 $a Saitis, Charalampos. $3 1203528
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
830 0 $a Springer series on touch and haptic systems. $3 883971
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-58316-7
950 $a Computer Science (Springer-11645)