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Reconsidering national plays in Europe
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SpringerLink (Online service)
Reconsidering national plays in Europe
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Reconsidering national plays in Europe/ edited by Suze van der Poll, Rob van der Zalm.
other author:
van der Poll, Suze.
Published:
Cham :Springer International Publishing : : 2018.,
Description:
xvii, 283 p. :ill., digital ; : 22 cm.;
Contained By:
Springer eBooks
Subject:
Drama - History and criticism. -
Online resource:
http://dx.doi.org/10.1007/978-3-319-75334-8
ISBN:
9783319753348
Reconsidering national plays in Europe
Reconsidering national plays in Europe
[electronic resource] /edited by Suze van der Poll, Rob van der Zalm. - Cham :Springer International Publishing :2018. - xvii, 283 p. :ill., digital ;22 cm.
1. Introduction; Suze van der Poll & Rob van der Zalm -- 2. Schiller's Die Rauber: "Der Ort der Geschichte ist Teutschland"; Kati Rottger -- 3. Schiller's Wilhelm Tell: The National Play of Switzerland?; Elke Huwiler -- 4. Bank Ban: The Hungarian National Play; Krisztina Lajosi -- 5. August Strindberg's Gustav Vasa - Sweden's National Drama?; Egil Tornqvist & Erik Mattsson -- 6. Peer Gynt - Norway's National Play; Suze van der Poll -- 7. A (Dutch) Tale of the Sea. The Good Hope by Herman Heijermans; Rob van der Zalm -- 8. Moliere's Tartuffe and French National Identity: Reconfiguring the King, the People and the Church; Matthijs Engelberts -- 9. Theatre as a Moral Institution: 20th-Century Ireland; Joep Leerssen -- 10. Epilogue; Suze van der Poll & Rob van der Zalm.
This volume frames the concept of a national play. By analysing a number of European case studies, it addresses the following question: Which play could be regarded as a country's national play, and how does it represent its national identity? The chapters provide an in-depth look at plays in eight different countries: Germany (Die Rauber, Friedrich Schiller), Switzerland (Wilhelm Tell, Friedrich Schiller), Hungary (Bank Ban, Jozsef Katona), Sweden (Gustav Vasa, August Strindberg), Norway (Peer Gynt, Henrik Ibsen), the Netherlands (The Good Hope, Herman Heijermans), France (Tartuffe, Moliere), and Ireland. This collection is especially relevant at a time of socio-political flux, when national identity and the future of the nation state is being reconsidered.
ISBN: 9783319753348
Standard No.: 10.1007/978-3-319-75334-8doiSubjects--Topical Terms:
559685
Drama
--History and criticism.
LC Class. No.: PN1655 / .R45 2018
Dewey Class. No.: 809.2
Reconsidering national plays in Europe
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1. Introduction; Suze van der Poll & Rob van der Zalm -- 2. Schiller's Die Rauber: "Der Ort der Geschichte ist Teutschland"; Kati Rottger -- 3. Schiller's Wilhelm Tell: The National Play of Switzerland?; Elke Huwiler -- 4. Bank Ban: The Hungarian National Play; Krisztina Lajosi -- 5. August Strindberg's Gustav Vasa - Sweden's National Drama?; Egil Tornqvist & Erik Mattsson -- 6. Peer Gynt - Norway's National Play; Suze van der Poll -- 7. A (Dutch) Tale of the Sea. The Good Hope by Herman Heijermans; Rob van der Zalm -- 8. Moliere's Tartuffe and French National Identity: Reconfiguring the King, the People and the Church; Matthijs Engelberts -- 9. Theatre as a Moral Institution: 20th-Century Ireland; Joep Leerssen -- 10. Epilogue; Suze van der Poll & Rob van der Zalm.
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This volume frames the concept of a national play. By analysing a number of European case studies, it addresses the following question: Which play could be regarded as a country's national play, and how does it represent its national identity? The chapters provide an in-depth look at plays in eight different countries: Germany (Die Rauber, Friedrich Schiller), Switzerland (Wilhelm Tell, Friedrich Schiller), Hungary (Bank Ban, Jozsef Katona), Sweden (Gustav Vasa, August Strindberg), Norway (Peer Gynt, Henrik Ibsen), the Netherlands (The Good Hope, Herman Heijermans), France (Tartuffe, Moliere), and Ireland. This collection is especially relevant at a time of socio-political flux, when national identity and the future of the nation state is being reconsidered.
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Literature, Cultural and Media Studies (Springer-41173)
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