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Beckett's intuitive spectator = me t...

Chiang, Michelle.

Beckett's intuitive spectator = me to play /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Beckett's intuitive spectator/ by Michelle Chiang.
其他題名:	me to play /
作者:	Chiang, Michelle.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	viii, 196 p. :digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Literature. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-91518-0
ISBN:	9783319915180

Beckett's intuitive spectator = me to play /
Chiang, Michelle.

Beckett's intuitive spectatorme to play /[electronic resource] :by Michelle Chiang. - Cham :Springer International Publishing :2018. - viii, 196 p. :digital ;24 cm. - New interpretations of Beckett in the twenty-first century. - New interpretations of Beckett in the twenty-first century..

1. Introduction -- 2. The Intuition of Loss in Beckett's Radio Plays -- 3. Film and the Ecstatic Spectator -- 4. Time out from the World: Respite in Beckett's Stage plays -- 5. The Disengaging Beckettian Television Audience and the Monument to Loss -- 6. Conclusion.

Beckett's Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member's habitual way of understanding could be frustrated by Beckett's film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.

ISBN: 9783319915180

Standard No.: 10.1007/978-3-319-91518-0doiSubjects--Personal Names:

861285
Beckett, Samuel,
1906-1989--Television adaptationsSubjects--Topical Terms:

557269
Literature.

LC Class. No.: PR6003.E282 / C453 2018

Dewey Class. No.: 848.91409

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520 $a Beckett's Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member's habitual way of understanding could be frustrated by Beckett's film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.
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