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Comics memory = archives and styles /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Comics memory/ edited by Maaheen Ahmed, Benoit Crucifix.
Reminder of title:	archives and styles /
other author:	Ahmed, Maaheen.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xix, 290 p. :digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Collective memory. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-91746-7
ISBN:	9783319917467

Comics memory = archives and styles /
Comics memoryarchives and styles /[electronic resource] :edited by Maaheen Ahmed, Benoit Crucifix. - Cham :Springer International Publishing :2018. - xix, 290 p. :digital ;24 cm. - Palgrave studies in comics and graphic novels. - Palgrave studies in comics and graphic novels..

1. Introduction: Untaming Comics Memory (Maaheen Ahmed & Benoit Crucifix) -- 2. Portrait of the Artist as a Nostalgic: Seth's It's a Good Life if You Don't Weaken (Giorgio Busi Rizzi) -- 3. 'It's All Come Flooding Back': Memories of Childhood Comics (Mel Gibson) -- 4. Archives and Oral History in Emmanuel Guibert's Le Photographe (Bettina Egger) -- 5. The Ever-Shifting Wall: Edmond Baudoin and the 'Continuous Poem' of Autobiography (Pedro Moura) -- 6. Keep Out, Or Else: Diary as Body in The Diary of a Teenage Girl and Cruddy (Rachel R. Miller) -- 7. The Un-erotic Dancer: Sylvie Rancourt's Melody (Eleanor Ty) -- 8. Panique en Atlantique: Bridging Personal and Collective Memories of L'Association and Comics History (Christian Reyns-Chikuma) -- 9. Comics History and the Question of Delinquency: The Case of Criminal (Christopher Pizzino) -- 10. Sons and Grandsons of Origins: Narrative Memory in Marvel Superhero Comics (Jean-Matthieu Meon) -- 11. A Trip Down Memory Lane: Reprints and Canonization of Morris' Lucky Luke Series (Nicolas Martinez) -- 12. Selective Memory: Art History and the Comic Strip Work of Jack B. Yeats (Michael Connerty) -- 13. The Marie Duval Archive: Memory and the Development of the Comic Strip Canon (Simon Grennan) -- 14. The Tremendous Treasure: The Curious Problem of Preserving Belgian Comics Heritage (Roel Daenen) -- 15. Fanzines and Swedish Comics Memory (Gunnar Krantz) -- 16. Store Memory (Philippe Capart) -- 17. Coda: A User Guide to Comics Memory (Maaheen Ahmed and Benoit Crucifix)

Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact--especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives--in their physical and metaphorical manifestations--this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.

ISBN: 9783319917467

Standard No.: 10.1007/978-3-319-91746-7doiSubjects--Topical Terms:

835451
Collective memory.

LC Class. No.: BF378.S65 / C65 2018

Dewey Class. No.: 153.12

Comics memory = archives and styles /
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245 0 0 $a Comics memory $h [electronic resource] : $b archives and styles / $c edited by Maaheen Ahmed, Benoit Crucifix.
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300 $a xix, 290 p. : $b digital ; $c 24 cm.
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505 0 $a 1. Introduction: Untaming Comics Memory (Maaheen Ahmed & Benoit Crucifix) -- 2. Portrait of the Artist as a Nostalgic: Seth's It's a Good Life if You Don't Weaken (Giorgio Busi Rizzi) -- 3. 'It's All Come Flooding Back': Memories of Childhood Comics (Mel Gibson) -- 4. Archives and Oral History in Emmanuel Guibert's Le Photographe (Bettina Egger) -- 5. The Ever-Shifting Wall: Edmond Baudoin and the 'Continuous Poem' of Autobiography (Pedro Moura) -- 6. Keep Out, Or Else: Diary as Body in The Diary of a Teenage Girl and Cruddy (Rachel R. Miller) -- 7. The Un-erotic Dancer: Sylvie Rancourt's Melody (Eleanor Ty) -- 8. Panique en Atlantique: Bridging Personal and Collective Memories of L'Association and Comics History (Christian Reyns-Chikuma) -- 9. Comics History and the Question of Delinquency: The Case of Criminal (Christopher Pizzino) -- 10. Sons and Grandsons of Origins: Narrative Memory in Marvel Superhero Comics (Jean-Matthieu Meon) -- 11. A Trip Down Memory Lane: Reprints and Canonization of Morris' Lucky Luke Series (Nicolas Martinez) -- 12. Selective Memory: Art History and the Comic Strip Work of Jack B. Yeats (Michael Connerty) -- 13. The Marie Duval Archive: Memory and the Development of the Comic Strip Canon (Simon Grennan) -- 14. The Tremendous Treasure: The Curious Problem of Preserving Belgian Comics Heritage (Roel Daenen) -- 15. Fanzines and Swedish Comics Memory (Gunnar Krantz) -- 16. Store Memory (Philippe Capart) -- 17. Coda: A User Guide to Comics Memory (Maaheen Ahmed and Benoit Crucifix)
520 $a Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact--especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives--in their physical and metaphorical manifestations--this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.
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