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Punk culture in contemporary China

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Punk culture in contemporary China/ by Jian Xiao.
作者:	Xiao, Jian.
出版者:	Singapore :Springer Singapore : : 2018.,
面頁冊數:	xiii, 220 p. :digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Punk culture - China. -
電子資源:	http://dx.doi.org/10.1007/978-981-13-0977-9
ISBN:	9789811309779

Punk culture in contemporary China
Xiao, Jian.

Punk culture in contemporary China[electronic resource] /by Jian Xiao. - Singapore :Springer Singapore :2018. - xiii, 220 p. :digital ;24 cm.

1. Introduction: context, method and theoretical framework -- 2. Punk in China: History, artefacts, and blogs -- 3. The biographical approach: The story of a Chinese punk musician -- 4. The path to punkhood, and being a punk -- 5. Punk performance, hangouts, and alternative norms -- 6. Boundaries and identity: Understanding online punk practices -- 7. A comparison between Indonesian and Chinese punks: Resistance, hangouts, and DIY -- 8. A comparison between Portuguese and Chinese punks: A genealogy, style and space -- 9. Conclusion.

This book explores for the first time the punk phenomenon in contemporary China. As China has urbanised within the context of explosive economic growth and a closed political system, urban subcultures and phenomena of alienation and anomie have emerged, and yet, the political and economic differences between China and western societies has ensured that these subcultures operate and are motivated by profoundly different structures. This book will be of interest to cultural historians, media studies and urban studies researchers, and (ex-) punk rockers. Jian Xiao, with a PhD from Loughborough University, works at Sun Yat-sen University in Guangzhou. Her research interest is focused on media and cultural studies.

ISBN: 9789811309779

Standard No.: 10.1007/978-981-13-0977-9doiSubjects--Topical Terms:

1207590
Punk culture
--China.

LC Class. No.: HM646 / .X536 2018

Dewey Class. No.: 306.1

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505 0 $a 1. Introduction: context, method and theoretical framework -- 2. Punk in China: History, artefacts, and blogs -- 3. The biographical approach: The story of a Chinese punk musician -- 4. The path to punkhood, and being a punk -- 5. Punk performance, hangouts, and alternative norms -- 6. Boundaries and identity: Understanding online punk practices -- 7. A comparison between Indonesian and Chinese punks: Resistance, hangouts, and DIY -- 8. A comparison between Portuguese and Chinese punks: A genealogy, style and space -- 9. Conclusion.
520 $a This book explores for the first time the punk phenomenon in contemporary China. As China has urbanised within the context of explosive economic growth and a closed political system, urban subcultures and phenomena of alienation and anomie have emerged, and yet, the political and economic differences between China and western societies has ensured that these subcultures operate and are motivated by profoundly different structures. This book will be of interest to cultural historians, media studies and urban studies researchers, and (ex-) punk rockers. Jian Xiao, with a PhD from Loughborough University, works at Sun Yat-sen University in Guangzhou. Her research interest is focused on media and cultural studies.
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