國立虎尾科技大學 |

South Africa's Shakespeare and the drama of language and identity

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	South Africa's Shakespeare and the drama of language and identity/ by Adele Seeff.
作者:	Seeff, Adele.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xiii, 241 p. :digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Literature. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-78148-8
ISBN:	9783319781488

South Africa's Shakespeare and the drama of language and identity
Seeff, Adele.

South Africa's Shakespeare and the drama of language and identity[electronic resource] /by Adele Seeff. - Cham :Springer International Publishing :2018. - xiii, 241 p. :digital ;24 cm. - Global shakespeares. - Global shakespeares..

1. Introduction -- 2. The African Theatre, Cape Town, 1801 -- 3. The Shakespeare Diaspora -- 4. Andre Brink's Kinkels innie Kabel: Political Vision and Linguistic Virtuosity -- 5. John Kani as Othello at the Market Theatre, Johannesburg -- 6. Shakespeare in Mzansi -- 7. Afterword.

This volume considers the linguistic complexities associated with Shakespeare's presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare's texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses Andre Brink's Kinkels innie Kabel, a transposition of Shakespeare's The Comedy of Errors into Kaaps, as a radical critique of apartheid's obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani's performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global Sha Any reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book.

ISBN: 9783319781488

Standard No.: 10.1007/978-3-319-78148-8doiSubjects--Personal Names:

801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Topical Terms:

557269
Literature.

LC Class. No.: PR2971.S6

Dewey Class. No.: 822.33

South Africa's Shakespeare and the drama of language and identity
LDR:02901nam a2200325 a 4500 001 927943
003 DE-He213
005 20190128155427.0
006 m d
007 cr nn 008maaau
008 190626s2018 gw s 0 eng d
020 $a 9783319781488 $q (electronic bk.)
020 $a 9783319781471 $q (paper)
024 7 $a 10.1007/978-3-319-78148-8 $2 doi
035 $a 978-3-319-78148-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PR2971.S6
072 7 $a DSB $2 bicssc
072 7 $a LIT024000 $2 bisacsh
082 0 4 $a 822.33 $2 23
090 $a PR2971.S6 $b S451 2018
100 1 $a Seeff, Adele. $3 1207607
245 1 0 $a South Africa's Shakespeare and the drama of language and identity $h [electronic resource] / $c by Adele Seeff.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xiii, 241 p. : $b digital ; $c 24 cm.
490 1 $a Global shakespeares
505 0 $a 1. Introduction -- 2. The African Theatre, Cape Town, 1801 -- 3. The Shakespeare Diaspora -- 4. Andre Brink's Kinkels innie Kabel: Political Vision and Linguistic Virtuosity -- 5. John Kani as Othello at the Market Theatre, Johannesburg -- 6. Shakespeare in Mzansi -- 7. Afterword.
520 $a This volume considers the linguistic complexities associated with Shakespeare's presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare's texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses Andre Brink's Kinkels innie Kabel, a transposition of Shakespeare's The Comedy of Errors into Kaaps, as a radical critique of apartheid's obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani's performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global Sha Any reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Literary style. $3 801322
650 1 4 $a Literature. $3 557269
650 2 4 $a Early Modern/Renaissance Literature. $3 1105003
650 2 4 $a African Literature. $3 1116392
650 2 4 $a Global/International Theatre and Performance. $3 1141652
650 2 4 $a Sociolinguistics. $3 555401
650 2 4 $a African Languages. $3 1023261
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
830 0 $a Global shakespeares. $3 1207608
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-78148-8
950 $a Literature, Cultural and Media Studies (Springer-41173)