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Hip hop, Hegel and the art of emancipation = let's get free /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Hip hop, Hegel and the art of emancipation/ by Jim Vernon.
Reminder of title:	let's get free /
Author:	Vernon, Jim.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	vii, 259 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Hip-hop - Social aspects. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-91304-9
ISBN:	9783319913049

Hip hop, Hegel and the art of emancipation = let's get free /
Vernon, Jim.

Hip hop, Hegel and the art of emancipationlet's get free /[electronic resource] :by Jim Vernon. - Cham :Springer International Publishing :2018. - vii, 259 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion.

This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other.

ISBN: 9783319913049

Standard No.: 10.1007/978-3-319-91304-9doiSubjects--Personal Names:

557781
Hegel, Georg Wilhelm Friedrich,
1770-1831.Subjects--Topical Terms:

1207943
Hip-hop
--Social aspects.

LC Class. No.: ML3918.R37 / V476 2018

Dewey Class. No.: 782.42164901

Hip hop, Hegel and the art of emancipation = let's get free /
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245 1 0 $a Hip hop, Hegel and the art of emancipation $h [electronic resource] : $b let's get free / $c by Jim Vernon.
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505 0 $a Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion.
520 $a This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other.
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