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A poetics of editing

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	A poetics of editing/ by Susan L. Greenberg.
作者:	Greenberg, Susan L.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xv, 265 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Editing. -
電子資源:	https://doi.org/10.1007/978-3-319-92246-1
ISBN:	9783319922461

A poetics of editing
Greenberg, Susan L.

A poetics of editing[electronic resource] /by Susan L. Greenberg. - Cham :Springer International Publishing :2018. - xv, 265 p. :ill., digital ;24 cm.

1. The midwife and the janitor -- 2. Translations of the invisible -- 3. Editing and mind -- 4. An expectation of error -- 5. The digital present -- 6. Editing and the real -- 7. Editing in the academy -- 8.The digital romantics -- 9. A poetics of editing.

This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the 'ideal editor' can be understood in relation to the long-theorised author and reader. The book's premise is that editing, like other forms of 'making', is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.

ISBN: 9783319922461

Standard No.: 10.1007/978-3-319-92246-1doiSubjects--Topical Terms:

639159
Editing.

LC Class. No.: PN162 / .G744 2018

Dewey Class. No.: 808.027

A poetics of editing
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520 $a This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the 'ideal editor' can be understood in relation to the long-theorised author and reader. The book's premise is that editing, like other forms of 'making', is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
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