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Kinesthetic spectatorship in the theatre = phenomenology, cognition, movement /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Kinesthetic spectatorship in the theatre/ by Stanton B. Garner, Jr.
其他題名:	phenomenology, cognition, movement /
作者:	Garner, Stanton B.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xii, 277 p. :digital ; : 22 cm.;
Contained By:	Springer eBooks
標題:	Theater audiences. -
電子資源:	https://doi.org/10.1007/978-3-319-91794-8
ISBN:	9783319917948

Kinesthetic spectatorship in the theatre = phenomenology, cognition, movement /
Garner, Stanton B.

Kinesthetic spectatorship in the theatrephenomenology, cognition, movement /[electronic resource] :by Stanton B. Garner, Jr. - Cham :Springer International Publishing :2018. - xii, 277 p. :digital ;22 cm. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Introduction -- Movement and Animation -- Movement, Difference, Ability -- Movement, Attention, and Intentionality -- Kinesthetic Resonance -- Language, Speech, Movement -- Empathy and Otherness.

This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.

ISBN: 9783319917948

Standard No.: 10.1007/978-3-319-91794-8doiSubjects--Topical Terms:

557090
Theater audiences.

LC Class. No.: PN2071.M6 / G37 2018

Dewey Class. No.: 792

Kinesthetic spectatorship in the theatre = phenomenology, cognition, movement /
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520 $a This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
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