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The American Civil War and the Holly...
~
Trafton, John.
The American Civil War and the Hollywood war film
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The American Civil War and the Hollywood war film/ by John Trafton.
作者:
Trafton, John.
出版者:
New York :Palgrave Macmillan US : : 2016.,
面頁冊數:
ix, 194 p. :digital ; : 23 cm.;
Contained By:
Springer eBooks
標題:
War films - History and criticism. - United States -
標題:
United States - Defenses -
電子資源:
https://doi.org/10.1007/978-1-137-49702-4
ISBN:
9781137497024
The American Civil War and the Hollywood war film
Trafton, John.
The American Civil War and the Hollywood war film
[electronic resource] /by John Trafton. - New York :Palgrave Macmillan US :2016. - ix, 194 p. :digital ;23 cm.
Introduction: The Civil War, Pathos Formula, and Genre Memory -- 1. Civil War Paintings and the War Panorama 2. Panorama, Phantasmagoria, and Subjective Vision in War Cinema -- 3. War Photography -- 4. Photography and the War Film -- 5. The Soldier Diary -- 6. Civil War Epistolary and the Hollywood War Film -- Coda.
Throughout film history, war films have been in constant dialogue with both previous depictions of war and contemporary debates and technology. War films remember older war film cycles and draw upon the resources of the present day to say something new about the nature of war. The American Civil War was viscerally documented through large-scale panorama paintings, still photography, and soldier testimonials, leaving behind representational principles that would later inform the development of the war film genre from the silent era up to the present. This book explores how each of these representational modes cemented different formulas for providing war stories with emotional content.
ISBN: 9781137497024
Standard No.: 10.1007/978-1-137-49702-4doiSubjects--Topical Terms:
646508
War films
--History and criticism.--United StatesSubjects--Geographical Terms:
528513
United States
--Defenses
LC Class. No.: PN1995.9.W3 / T83 2016
Dewey Class. No.: 791.43658737
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Introduction: The Civil War, Pathos Formula, and Genre Memory -- 1. Civil War Paintings and the War Panorama 2. Panorama, Phantasmagoria, and Subjective Vision in War Cinema -- 3. War Photography -- 4. Photography and the War Film -- 5. The Soldier Diary -- 6. Civil War Epistolary and the Hollywood War Film -- Coda.
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Throughout film history, war films have been in constant dialogue with both previous depictions of war and contemporary debates and technology. War films remember older war film cycles and draw upon the resources of the present day to say something new about the nature of war. The American Civil War was viscerally documented through large-scale panorama paintings, still photography, and soldier testimonials, leaving behind representational principles that would later inform the development of the war film genre from the silent era up to the present. This book explores how each of these representational modes cemented different formulas for providing war stories with emotional content.
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