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Theatre music and sound at the RSC =...
~
Taylor, Millie.
Theatre music and sound at the RSC = Macbeth to Matilda /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Theatre music and sound at the RSC/ by Millie Taylor.
其他題名:
Macbeth to Matilda /
作者:
Taylor, Millie.
出版者:
Cham :Springer International Publishing : : 2018.,
面頁冊數:
xviii, 244 p. :ill., facsimiles, digital ; : 22 cm.;
Contained By:
Springer eBooks
標題:
Music - History and criticism. - 16th century -
電子資源:
https://doi.org/10.1007/978-3-319-95222-2
ISBN:
9783319952222
Theatre music and sound at the RSC = Macbeth to Matilda /
Taylor, Millie.
Theatre music and sound at the RSC
Macbeth to Matilda /[electronic resource] :by Millie Taylor. - Cham :Springer International Publishing :2018. - xviii, 244 p. :ill., facsimiles, digital ;22 cm. - Palgrave studies in British musical theatre. - Palgrave studies in British musical theatre..
1. Musical Collaborations at the RSC -- 2. Collaborative Composition at the RSC -- 3. Electronics, Sound and Fury at the RSC -- 4. Theatre Music at the RSC -- 5. From Macbeth to Matilda at the RSC.
Shakespeare is a cultural icon whose works are steeped in music, but the revered Royal Shakespeare Company is located in Stratford-upon-Avon, far from the hustle and bustle of London's theatre scene. Yet it is here, in the Midlands, that an exciting laboratory has been developing the practice of theatre music composition and sound design since 1961. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.
ISBN: 9783319952222
Standard No.: 10.1007/978-3-319-95222-2doiSubjects--Personal Names:
801322
Shakespeare, William,
1564-1616--Literary style.Subjects--Corporate Names:
1210456
Royal Shakespeare Company.
Subjects--Topical Terms:
1210457
Music
--History and criticism.--16th century
LC Class. No.: ML80.S5 / T39 2018
Dewey Class. No.: 822.33
Theatre music and sound at the RSC = Macbeth to Matilda /
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Shakespeare is a cultural icon whose works are steeped in music, but the revered Royal Shakespeare Company is located in Stratford-upon-Avon, far from the hustle and bustle of London's theatre scene. Yet it is here, in the Midlands, that an exciting laboratory has been developing the practice of theatre music composition and sound design since 1961. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.
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