國立虎尾科技大學 |

Arab film and video manifestos = forty-five years of the moving image amid revolution /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Arab film and video manifestos/ by Kay Dickinson.
其他題名:	forty-five years of the moving image amid revolution /
作者:	Dickinson, Kay.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xiii, 150 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Motion picture industry - History. - Arab countries -
電子資源:	https://doi.org/10.1007/978-3-319-99801-5
ISBN:	9783319998015

Arab film and video manifestos = forty-five years of the moving image amid revolution /
Dickinson, Kay.

Arab film and video manifestosforty-five years of the moving image amid revolution /[electronic resource] :by Kay Dickinson. - Cham :Springer International Publishing :2018. - xiii, 150 p. :ill., digital ;24 cm. - Palgrave studies in arab cinema. - Palgrave studies in arab cinema..

1. Why the Manifesto? -- 2. The Naksa's New Cinema: New Cinema Group, "Manifesto of New Cinema in Egypt" (1968) -- 3. Cinematic Third Worldism: "Resolutions of the Third World Filmmakers Meeting" (Algeria, 1973) -- 4. Cinema within Armed Struggle: "Manifesto of the Palestinian Cinema Group" (1972) and Popular Front for the Liberation of Palestine, "The Cinema and the Revolution" -- 5. The Images Are the Revolution's": Mosireen, "Revolution Triptych" (2013)

Arab Film and Video Manifestos presents, in their entirety, five key documents that have fundamentally shaken up and helped change the face of image culture in the Middle East and beyond. The book collects together, for the first time, these influential, collectively written calls and directives that span a fifty-year period and hail from a range of different countries. Each urges a radical rethinking of film and video's role in culture, its relation to politics, and its potential to instigate profound change. Kay Dickinson carefully positions the manifestos within their broader socio-historical contexts and provides supplementary reading and viewing suggestions for readers who cannot access Arabic-language sources.

ISBN: 9783319998015

Standard No.: 10.1007/978-3-319-99801-5doiSubjects--Topical Terms:

1211298
Motion picture industry
--History.--Arab countries

LC Class. No.: PN1993.5.A65 / D535 2018

Dewey Class. No.: 791.4309174927

Arab film and video manifestos = forty-five years of the moving image amid revolution /
LDR:02265nam a2200337 a 4500 001 930231
003 DE-He213
005 20190503093243.0
006 m d
007 cr nn 008maaau
008 190627s2018 gw s 0 eng d
020 $a 9783319998015 $q (electronic bk.)
020 $a 9783319998008 $q (paper)
024 7 $a 10.1007/978-3-319-99801-5 $2 doi
035 $a 978-3-319-99801-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.A65 $b D535 2018
072 7 $a APF $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a ATF $2 thema
082 0 4 $a 791.4309174927 $2 23
090 $a PN1993.5.A65 $b D553 2018
100 1 $a Dickinson, Kay. $3 1211297
245 1 0 $a Arab film and video manifestos $h [electronic resource] : $b forty-five years of the moving image amid revolution / $c by Kay Dickinson.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2018.
300 $a xiii, 150 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in arab cinema
505 0 $a 1. Why the Manifesto? -- 2. The Naksa's New Cinema: New Cinema Group, "Manifesto of New Cinema in Egypt" (1968) -- 3. Cinematic Third Worldism: "Resolutions of the Third World Filmmakers Meeting" (Algeria, 1973) -- 4. Cinema within Armed Struggle: "Manifesto of the Palestinian Cinema Group" (1972) and Popular Front for the Liberation of Palestine, "The Cinema and the Revolution" -- 5. The Images Are the Revolution's": Mosireen, "Revolution Triptych" (2013)
520 $a Arab Film and Video Manifestos presents, in their entirety, five key documents that have fundamentally shaken up and helped change the face of image culture in the Middle East and beyond. The book collects together, for the first time, these influential, collectively written calls and directives that span a fifty-year period and hail from a range of different countries. Each urges a radical rethinking of film and video's role in culture, its relation to politics, and its potential to instigate profound change. Kay Dickinson carefully positions the manifestos within their broader socio-historical contexts and provides supplementary reading and viewing suggestions for readers who cannot access Arabic-language sources.
650 0 $a Motion picture industry $z Arab countries $x History. $3 1211298
650 0 $a Video recordings industry $z Arab countries $x History. $3 1211299
650 1 4 $a Global Cinema and TV. $3 1211300
650 2 4 $a Middle Eastern Culture. $3 1107045
650 2 4 $a Middle Eastern Politics. $3 1109265
650 2 4 $a Cultural Policy and Politics. $3 1113859
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
830 0 $a Palgrave studies in arab cinema. $3 1206390
856 4 0 $u https://doi.org/10.1007/978-3-319-99801-5
950 $a Literature, Cultural and Media Studies (Springer-41173)