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Converso non-conformism in early modern Spain = bad blood and faith from Alonso de Cartagena to Diego Velazquez /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Converso non-conformism in early modern Spain/ by Kevin Ingram.
Reminder of title:	bad blood and faith from Alonso de Cartagena to Diego Velazquez /
Author:	Ingram, Kevin.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xx, 370 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Jews - History. - Spain -
Online resource:	https://doi.org/10.1007/978-3-319-93236-1
ISBN:	9783319932361

Converso non-conformism in early modern Spain = bad blood and faith from Alonso de Cartagena to Diego Velazquez /
Ingram, Kevin.

Converso non-conformism in early modern Spainbad blood and faith from Alonso de Cartagena to Diego Velazquez /[electronic resource] :by Kevin Ingram. - Cham :Springer International Publishing :2018. - xx, 370 p. :ill., digital ;24 cm.

1 Introduction -- 2 From Toledo to Alcala -- 3 From Alcala to Seville and Beyond -- 4 The Way Out of Trent -- 5 Four Humanists -- 6 Diego Velazquez and the Subtle Art of Protest -- 7 The Converso Returns.

This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid's converso courtiers is subtly attacked by Spain's greatest painter, Diego Velazquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.

ISBN: 9783319932361

Standard No.: 10.1007/978-3-319-93236-1doiSubjects--Topical Terms:

1211733
Jews
--History.--Spain

LC Class. No.: DS135.S7 / I54 2018

Dewey Class. No.: 261.2609460903

Converso non-conformism in early modern Spain = bad blood and faith from Alonso de Cartagena to Diego Velazquez /
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520 $a This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid's converso courtiers is subtly attacked by Spain's greatest painter, Diego Velazquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
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