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Representing the experience of war and atrocity = interdisciplinary explorations in visual criminology /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Representing the experience of war and atrocity/ edited by Ronnie Lippens, Emma Murray.
其他題名:	interdisciplinary explorations in visual criminology /
其他作者:	Lippens, Ronnie.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	ix, 261 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Visual communication. -
電子資源:	https://doi.org/10.1007/978-3-030-13925-4
ISBN:	9783030139254

Representing the experience of war and atrocity = interdisciplinary explorations in visual criminology /
Representing the experience of war and atrocityinterdisciplinary explorations in visual criminology /[electronic resource] :edited by Ronnie Lippens, Emma Murray. - Cham :Springer International Publishing :2019. - ix, 261 p. :ill., digital ;24 cm. - Palgrave studies in crime, media and culture. - Palgrave studies in crime, media and culture..

1. Introduction, Ronnie Lippens -- 2. Georges Bataille's Paleolithic Cave Art and the Human Condition, Patrick Van Calster -- 3. The Aesthetics of Violence, David Polizzi -- 4. Images of Atrocity: From Victimhood to Redemption and the Implications for a (Narrative) Victimology, Sandra Walklate -- 5. Fathers and Sons: Loss and Truth in War Films from Bosnia and Sri Lanka, Dubravka Zarkov, Neloufer de Mel, and Rada Drezgic -- 6. Implicit Criminologies in the Filmic Representation of Genocide, Mark Bostock -- 7. Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism, Mark Featherstone -- 8. The Separate System? A Conversation on Collaborative Artistic Practice with Veterans-in-Prison, Emma Murray, Katie Davies and Emily Gee -- 9. Performing Atrocity: Staging Experiences of Violence and Conflict, Will McGowan -- 10. Competing to Control the Post-Conflict Present: Articulating Victimhood in Exhibitions in Northern Ireland, Matthew Jackson.

This book explores how the experience of war and related atrocities tend to be visually expressed, and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity, and thus contributes to the burgeoning field of the Criminology of War. Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology, but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work.

ISBN: 9783030139254

Standard No.: 10.1007/978-3-030-13925-4doiSubjects--Topical Terms:

556207
Visual communication.

LC Class. No.: P93.5 / .R477 2019

Dewey Class. No.: 302.23

Representing the experience of war and atrocity = interdisciplinary explorations in visual criminology /
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505 0 $a 1. Introduction, Ronnie Lippens -- 2. Georges Bataille's Paleolithic Cave Art and the Human Condition, Patrick Van Calster -- 3. The Aesthetics of Violence, David Polizzi -- 4. Images of Atrocity: From Victimhood to Redemption and the Implications for a (Narrative) Victimology, Sandra Walklate -- 5. Fathers and Sons: Loss and Truth in War Films from Bosnia and Sri Lanka, Dubravka Zarkov, Neloufer de Mel, and Rada Drezgic -- 6. Implicit Criminologies in the Filmic Representation of Genocide, Mark Bostock -- 7. Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism, Mark Featherstone -- 8. The Separate System? A Conversation on Collaborative Artistic Practice with Veterans-in-Prison, Emma Murray, Katie Davies and Emily Gee -- 9. Performing Atrocity: Staging Experiences of Violence and Conflict, Will McGowan -- 10. Competing to Control the Post-Conflict Present: Articulating Victimhood in Exhibitions in Northern Ireland, Matthew Jackson.
520 $a This book explores how the experience of war and related atrocities tend to be visually expressed, and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity, and thus contributes to the burgeoning field of the Criminology of War. Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology, but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work.
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