國立虎尾科技大學 |

Jean-Luc Godard's political filmmaking

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Jean-Luc Godard's political filmmaking/ by Irmgard Emmelhainz.
作者:	Emmelhainz, Irmgard.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	ix, 327 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Politics in motion pictures. -
電子資源:	https://doi.org/10.1007/978-3-319-72095-1
ISBN:	9783319720951

Jean-Luc Godard's political filmmaking
Emmelhainz, Irmgard.

Jean-Luc Godard's political filmmaking[electronic resource] /by Irmgard Emmelhainz. - Cham :Springer International Publishing :2019. - ix, 327 p. :ill., digital ;24 cm.

1. Introduction -- 2. Who Speaks Here?: Jean-Luc Godard's 'Militant Filmmaking' (1967-1974) -- 3. Elsewhere: Dialogue of Points of View: Jean-Luc Godard and Tiersmondisme -- 4. Technique and Montage: Saying, Seeing and Showing the Invisible -- 5. Representing the Unrepresentable: Restitution, Archive, Memory -- 6. Conditions of Visuality and Materialist Film at the Eve of the 21st Century -- 7. Conclusion.

This book offers an examination of the political dimensions of a number of Jean-Luc Godard's films from the 1960s to the present. The author seeks to dispel the myth that Godard's work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard's little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard's investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director's oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard's work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard's ongoing inquiry on the role filmmakers can have in progressive political engagement.

ISBN: 9783319720951

Standard No.: 10.1007/978-3-319-72095-1doiSubjects--Personal Names:

972128
Godard, Jean-Luc,
1930---Criticism and interpretation.Subjects--Topical Terms:

663378
Politics in motion pictures.

LC Class. No.: PN1995.9.P6 / E464 2019

Dewey Class. No.: 791.436581

Jean-Luc Godard's political filmmaking
LDR:02440nam a2200325 a 4500 001 939779
003 DE-He213
005 20191005093551.0
006 m d
007 cr nn 008maaau
008 200414s2019 gw s 0 eng d
020 $a 9783319720951 $q (electronic bk.)
020 $a 9783319720944 $q (paper)
024 7 $a 10.1007/978-3-319-72095-1 $2 doi
035 $a 978-3-319-72095-1
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.P6 $b E464 2019
072 7 $a APF $2 bicssc
072 7 $a PER004010 $2 bisacsh
072 7 $a ATF $2 thema
082 0 4 $a 791.436581 $2 23
090 $a PN1995.9.P6 $b E54 2019
100 1 $a Emmelhainz, Irmgard. $3 1226156
245 1 0 $a Jean-Luc Godard's political filmmaking $h [electronic resource] / $c by Irmgard Emmelhainz.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a ix, 327 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Who Speaks Here?: Jean-Luc Godard's 'Militant Filmmaking' (1967-1974) -- 3. Elsewhere: Dialogue of Points of View: Jean-Luc Godard and Tiersmondisme -- 4. Technique and Montage: Saying, Seeing and Showing the Invisible -- 5. Representing the Unrepresentable: Restitution, Archive, Memory -- 6. Conditions of Visuality and Materialist Film at the Eve of the 21st Century -- 7. Conclusion.
520 $a This book offers an examination of the political dimensions of a number of Jean-Luc Godard's films from the 1960s to the present. The author seeks to dispel the myth that Godard's work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard's little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard's investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director's oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard's work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard's ongoing inquiry on the role filmmakers can have in progressive political engagement.
600 1 0 $a Godard, Jean-Luc, $d 1930- $x Criticism and interpretation. $3 972128
650 0 $a Politics in motion pictures. $3 663378
650 1 4 $a Directing. $3 1110563
650 2 4 $a European Cinema and TV. $3 1211764
650 2 4 $a Political Communication. $3 1021254
650 2 4 $a Aesthetics. $3 555008
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-319-72095-1
950 $a Literature, Cultural and Media Studies (Springer-41173)