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Paolozzi and Wittgenstein = the artist and the philosopher /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Paolozzi and Wittgenstein/ edited by Diego Mantoan, Luigi Perissinotto.
其他題名:	the artist and the philosopher /
其他作者:	Mantoan, Diego.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	xii, 222 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
標題:	Sculptors - 20th century. - Great Britain -
電子資源:	https://doi.org/10.1007/978-3-030-15846-0
ISBN:	9783030158460

Paolozzi and Wittgenstein = the artist and the philosopher /
Paolozzi and Wittgensteinthe artist and the philosopher /[electronic resource] :edited by Diego Mantoan, Luigi Perissinotto. - Cham :Springer International Publishing :2019. - xii, 222 p. :ill., digital ;24 cm.

Chapter 1. An Introduction to the Artist who 'needed' Wittgenstein, Diego Mantoan &Luigi Perissinotto -- Part I. Aesthetic Grammar: from Wittgenstein to Paolozzi -- Chapter 2. Aesthetic Family Resemblances between Wittgenstein and Paolozzi, Silvana Borutti -- Chapter 3. The philosopher as artist: Ludwig Wittgenstein seen through Eduardo Paolozzi, Wolfgang Huemer -- Chapter 4. Paolozzi and the Diverse Manners of Ornamenting Wittgenstein in the Arts, Alessandro Del Puppo -- Chapter 5. Assembled pieces: collage techniques in the work of Eduardo Paolozzi and Ludwig Wittgenstein, Maren Wienigk -- Part II. Paolozzi: on Reading Wittgenstein -- Chapter 6. Paolozzi reads Wittgenstein: Moments in a Research Process, Luigi Perissinotto -- Chapter 7. "Ragged" Perception in Eduardo Paolozzi's Figures from the 1950s, Rachel Stratton -- Chapter 8. Poetic Metaphor: Paolozzi's Animated Films and Their Relation to Wittgenstein, Stefanie Stallschus -- Chapter 9. Assembling reminders for a particular purpose: Paolozzi's ephemera, toys and collectibles, Diego Mantoan -- Part III. Wittgenstein: on Influencing Art -- Chapter 10. Experience and Interpretation: An Art Theoretical Commentary on Wittgenstein's Conception of 'Aspect', Michael Luthy -- Chapter 11. On a Certain Vagueness in the Definition of Art: Margolis' Aesthetics and Wittgenstein's Legacy, Roberta Dreon -- Chapter 12. The Sides of Limit and the Possibilities for Artistic Creation: On the Influence of Wittgenstein's Philosophy on Contemporary Art, Davide Dal Sasso -- Chapter 13. Wittgenstein in New York (and elsewhere): From Paolozzi to Bochner in the 1960s, Francesco Guzzetti -- Appendix: The quotes in Paolozzi's screenprint series As Is When (1964-65), Wolfgang Huemer & Diego Mantoan.

This impressive edited collection investigates the relationship between British Pop Art pioneer Eduardo Paolozzi and the philosopher Ludwig Wittgenstein. At this time, when Paolozzi's oeuvre is in the process of being rediscovered, his long-time fascination with Wittgenstein requires thorough exploration, as it discloses a deeper understanding of his artistic production, further helping to reassess the philosopher's actual impact on visual arts and its theory in the second half of the 20th century. With 13 diverse and comprehensive chapters, bringing together philosophers and art historians, this volume aims at retracing and pondering the influence of Wittgenstein on the idea of art in Paolozzi, thus giving an unprecedented insight into Wittgenstein's philosophy as employed by contemporary artists.

ISBN: 9783030158460

Standard No.: 10.1007/978-3-030-15846-0doiSubjects--Personal Names:

1227666
Paolozzi, Eduardo,
1924-2005.Subjects--Topical Terms:

1227668
Sculptors
--Great Britain--20th century.

LC Class. No.: NB497.P3 / P365 2019

Dewey Class. No.: 730.92

Paolozzi and Wittgenstein = the artist and the philosopher /
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505 0 $a Chapter 1. An Introduction to the Artist who 'needed' Wittgenstein, Diego Mantoan &Luigi Perissinotto -- Part I. Aesthetic Grammar: from Wittgenstein to Paolozzi -- Chapter 2. Aesthetic Family Resemblances between Wittgenstein and Paolozzi, Silvana Borutti -- Chapter 3. The philosopher as artist: Ludwig Wittgenstein seen through Eduardo Paolozzi, Wolfgang Huemer -- Chapter 4. Paolozzi and the Diverse Manners of Ornamenting Wittgenstein in the Arts, Alessandro Del Puppo -- Chapter 5. Assembled pieces: collage techniques in the work of Eduardo Paolozzi and Ludwig Wittgenstein, Maren Wienigk -- Part II. Paolozzi: on Reading Wittgenstein -- Chapter 6. Paolozzi reads Wittgenstein: Moments in a Research Process, Luigi Perissinotto -- Chapter 7. "Ragged" Perception in Eduardo Paolozzi's Figures from the 1950s, Rachel Stratton -- Chapter 8. Poetic Metaphor: Paolozzi's Animated Films and Their Relation to Wittgenstein, Stefanie Stallschus -- Chapter 9. Assembling reminders for a particular purpose: Paolozzi's ephemera, toys and collectibles, Diego Mantoan -- Part III. Wittgenstein: on Influencing Art -- Chapter 10. Experience and Interpretation: An Art Theoretical Commentary on Wittgenstein's Conception of 'Aspect', Michael Luthy -- Chapter 11. On a Certain Vagueness in the Definition of Art: Margolis' Aesthetics and Wittgenstein's Legacy, Roberta Dreon -- Chapter 12. The Sides of Limit and the Possibilities for Artistic Creation: On the Influence of Wittgenstein's Philosophy on Contemporary Art, Davide Dal Sasso -- Chapter 13. Wittgenstein in New York (and elsewhere): From Paolozzi to Bochner in the 1960s, Francesco Guzzetti -- Appendix: The quotes in Paolozzi's screenprint series As Is When (1964-65), Wolfgang Huemer & Diego Mantoan.
520 $a This impressive edited collection investigates the relationship between British Pop Art pioneer Eduardo Paolozzi and the philosopher Ludwig Wittgenstein. At this time, when Paolozzi's oeuvre is in the process of being rediscovered, his long-time fascination with Wittgenstein requires thorough exploration, as it discloses a deeper understanding of his artistic production, further helping to reassess the philosopher's actual impact on visual arts and its theory in the second half of the 20th century. With 13 diverse and comprehensive chapters, bringing together philosophers and art historians, this volume aims at retracing and pondering the influence of Wittgenstein on the idea of art in Paolozzi, thus giving an unprecedented insight into Wittgenstein's philosophy as employed by contemporary artists.
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