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Eurovision and Australia = interdisc...
~
Hay, Chris.
Eurovision and Australia = interdisciplinary perspectives from Down Under /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Eurovision and Australia/ edited by Chris Hay, Jessica Carniel.
其他題名:
interdisciplinary perspectives from Down Under /
其他作者:
Hay, Chris.
出版者:
Cham :Springer International Publishing : : 2019.,
面頁冊數:
xix, 287 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
標題:
Popular music - Social aspects - Australia. -
標題:
Australia - Military policy. -
電子資源:
https://doi.org/10.1007/978-3-030-20058-9
ISBN:
9783030200589
Eurovision and Australia = interdisciplinary perspectives from Down Under /
Eurovision and Australia
interdisciplinary perspectives from Down Under /[electronic resource] :edited by Chris Hay, Jessica Carniel. - Cham :Springer International Publishing :2019. - xix, 287 p. :ill., digital ;24 cm.
1."Good evening, Europe - good morning, Australia": an Introduction -- 2. Australia and the Eurovision Song Contest: a Historical Survey -- 3. The Politics of Diversity and Participation -- 4. Indigenous Representation at the Eurovision Song Contest: a Quintessentially Australian Identity -- 5. Gender-Bending or Gender-Straightening? Australia and the ESC at the Intersections of Gender, Sexual Orientation and Ethnicity -- 6. Sounds like Australia? Listening to Australia's Eurovision Song Performances -- 7. Australia in Eurovision: the View from Europe -- 8. Euro-visions from Down Under: multicultural community preferences and the national broadcaster, SBS -- 9. Lessons Learned: Teaching European Studies in Full Eurovision -- 10. Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia' s Eurovision Entrants -- 11. "It Really Makes You Feel Part of the World": Transnational Connection for Australian Eurovision Audiences -- 12. Pyjama Fandom: Watching Eurovision from Down Under -- 13. Eurovision - Australia Decides: a Conclusion.
This book investigates Australia's relationship with the Eurovision Song Contest over time and place, from its first screening on SBS in 1983 to Australia's inaugural national selection in 2019. Beginning with an overview of Australia's Eurovision history, the contributions explore the contest's role in Australian political participation and international relations; its significance for Australia's diverse communities, including migrants and the LGBTQIA+ community; racialised and gendered representations of Australianness; changing ideas of liveness in watching the event; and a reflection on teaching Australia's first undergraduate course dedicated to the Eurovision Song Contest. The collection brings together a group of scholar-fans from a variety of interdisciplinary perspectives - including history, politics, cultural studies, performance studies, and musicology - to explore Australia's transition from observer to participant in the first thirty-six years of its love affair with the Eurovision Song Contest.
ISBN: 9783030200589
Standard No.: 10.1007/978-3-030-20058-9doiSubjects--Meeting Names:
527686
Workshop on the Preservation of Stability under Discretization
Fort Collins, Colo.)(2001 :Subjects--Topical Terms:
1008281
Popular music
--Social aspects--Australia.Subjects--Geographical Terms:
566001
Australia
--Military policy.
LC Class. No.: ML76.E87 / E976 2019
Dewey Class. No.: 782.421630994
Eurovision and Australia = interdisciplinary perspectives from Down Under /
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1."Good evening, Europe - good morning, Australia": an Introduction -- 2. Australia and the Eurovision Song Contest: a Historical Survey -- 3. The Politics of Diversity and Participation -- 4. Indigenous Representation at the Eurovision Song Contest: a Quintessentially Australian Identity -- 5. Gender-Bending or Gender-Straightening? Australia and the ESC at the Intersections of Gender, Sexual Orientation and Ethnicity -- 6. Sounds like Australia? Listening to Australia's Eurovision Song Performances -- 7. Australia in Eurovision: the View from Europe -- 8. Euro-visions from Down Under: multicultural community preferences and the national broadcaster, SBS -- 9. Lessons Learned: Teaching European Studies in Full Eurovision -- 10. Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia' s Eurovision Entrants -- 11. "It Really Makes You Feel Part of the World": Transnational Connection for Australian Eurovision Audiences -- 12. Pyjama Fandom: Watching Eurovision from Down Under -- 13. Eurovision - Australia Decides: a Conclusion.
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This book investigates Australia's relationship with the Eurovision Song Contest over time and place, from its first screening on SBS in 1983 to Australia's inaugural national selection in 2019. Beginning with an overview of Australia's Eurovision history, the contributions explore the contest's role in Australian political participation and international relations; its significance for Australia's diverse communities, including migrants and the LGBTQIA+ community; racialised and gendered representations of Australianness; changing ideas of liveness in watching the event; and a reflection on teaching Australia's first undergraduate course dedicated to the Eurovision Song Contest. The collection brings together a group of scholar-fans from a variety of interdisciplinary perspectives - including history, politics, cultural studies, performance studies, and musicology - to explore Australia's transition from observer to participant in the first thirty-six years of its love affair with the Eurovision Song Contest.
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